Altered Fates X Files The Scam
- 2 years ago
- 19
- 0
The Real Hustle - The Home Alone Scam free porn video
The Real Hustle - The Home Alone Scam
a story by forced consent - [email protected]
22nd June 2008
The Real Hustle is a UK TV show where three individuals - Paul, Alex and
Jess - scam and con members of the public and record it. Afterwards they
reveal what they've done, much to the victims' relief. I always felt
that some of the scams are a bit contrived and victims' reactions
sometimes seem almost staged. And each scam seems to have its own unique
title, which is quite amusing. It's still good to watch and gave me an
idea for a truly evil scam, totally contrived and pure fantasy of course.
Would you like to be the victim in this one? The story is written in the
narrative style of the TV programme. The Hustlers use the following
names in their scams:
Jess - Sue Windle
Alex - Ian Steele
Paul - Rob Marks
Notes: For US readers, a nappy is a diaper and tights are pantyhose.
This story is fictional and all characters are of adult age.
...
Paul, Alex and Jess have spotted a row of trailers which are being used
for building work right next to the main town centre shopping area. This
gives them an idea for a scam, and for the next couple of weeks Paul
watches the daily activity of the building work. Meanwhile Jess has
logged onto Ebay and is buying a few things. They will take a few days
to arrive.
It's two weeks later and Jess's items have arrived. She unwraps them and
hands Alex an authentic looking TV film camera. The camera's a fake and
cost just a few pounds, but no-one would be able to tell just by looking.
There's another box which she keeps to one side for use later. Meanwhile
Paul's monitoring of the building work is over, and he knows the trailers
are not in use at the weekend - perfect for what they need. Today is
Friday and tomorrow they will be performing...
...The Home Alone Scam.
It's Saturday morning and the team drive over to the building site with
all their gear in the back of the car. As expected the site is empty and
the trailers are not in use today. Alex parks the car out of sight and
gets the gear out the back. Meanwhile Paul goes to a trailer at one end
of the line. This trailer, and the one at the opposite end of the line,
will be crucial for this scam to work. In just a few seconds he's made
short work of the lock and is inside. He has a look around - it's not
perfect but it will do. There's a desk and some chairs and a back area
with a cupboard. He goes about installing hidden cameras so we can watch
the action later. He does the same for the trailer at the other end.
In the meantime Jess has taken a clipboard - one of her other goodies
from Ebay - and walked just one minute from the trailers down a side
road. She comes out in the main town centre square. At this time there
are just a few people around, but in an hour the place will be full of
Saturday shoppers. She takes position near to some expensive clothes
stores and waits for the crowd to pick up. A quick call to Paul confirms
they are ready to go.
Jess has to wait for over an hour and a half before she spots a suitable
mark. He is well dressed and carrying several bags of expensive clothes,
bought that very morning. Jess sizes him up and decides he's ideal.
"Oh hi, how are you doing? Can I take up a few minutes of your time?
Okay, my name's Sue Windle and basically we're filming a TV programme
around the corner and the site contract runs out at the end of today so
we have to finish filming today. Most of the filming is done but we have
to record one last section and the person involved has been in an
accident and can't make it. Yeah, they'll be fine. So we're looking for
someone who can stand in for them. It'll take about an hour and we'll
pay 750 pounds in cash. Yes, well basically if we don't finish the
filming today the entire programme will be wasted, so we're prepared to
pay well for someone's time if they can help us out. I saw you and
thought you're really what we're looking for. Can you help us at all,
we'd be very grateful and like I say, it's 750 pounds for an hour's
work..."
The mark is naturally flattered by Jess's remarks and agrees to help.
"Oh you will, that's fantastic. Let me just call the producer and let
him know... Hi Rob, yes I've found someone, the programme's saved! Can
you tell Ian to get the filming gear ready and I'll bring him over now...
Ah, he's really happy, you've saved the day! Sorry I didn't catch your
name? Peter, pleased to meet you Peter, let's get you ready."
The con has worked so far but it's early days yet. The mark follows Jess
down the side street out towards the trailers. She takes him to the end
trailer where Paul is waiting.
"Rob, this is Peter, he's going to help us finish the programme."
"Hi Peter, Rob Marks. I can't tell you how relieved I am that you're
helping us. Our site contract runs out in a few hours and we just have
this last piece to film. The guy's been in an accident I believe, but
he's out of action for today. Now normally we'd have to get a temporary
contract drawn up for this but I'm happy to do this for cash in hand
given the time pressure. Are you happy with that?"
Of course the mark is more than happy - 750 pounds cash for an hour's
work. What could be better? Paul opens the drawer of his desk and takes
out an envelope. In front of the mark's eyes he counts out 750 pounds in
10 and 20 pound notes, puts it back into the bag and seals it. Alex now
enters the trailer.
"Guys, I'm just setting up the camera and film gear now, should be ready
in about thirty minutes?"
"That's great Ian, it's 11.30 now so we need to get this wrapped up
pretty smartish."
Alex leaves. Paul hands the mark the envelope full of money.
"I think you want to hang on to that. Okay, Sue, have you filled Peter
in on what we're filming here?"
"Not yet, but I think he'll be fine."
"Right. Well I'm glad to hear that because we're... well, we've been
filming a programme on sexual fetishes. The guy who was coming today was
our last section and he was going to answer a few Q&A on his fetish.
He's what we call an Adult Baby. It means he likes to dress up as a baby
even though he's an adult. You've probably seen them mentioned now and
again. Right, so it's quite harmless but certainly not mainstream... if
you can call any of the fetishes we've filmed so far mainstream!"
Paul is winning the mark over with his convincing film producer talk.
"Now we wanted to do the interview with this guy dressed up and we bought
him some clothes. Sue, have you got them?"
"Yes, they're here, but Rob, didn't he tell you he's a crossdresser? I
only bought along adult baby girl clothes in his size. You're the same
size Peter, so they should fit you fine."
The mark cannot believe his ears. It's dawned on him that they're asking
him to dress up as a baby girl and be filmed. It looks like he's having
second thoughts. Jess steps in to reassure him.
"I know it seems weird Peter but if you think of it like this. We'll
blur out your face in the production and you'll be allowed to see it
before it's released - that's the law. No-one will know and in a couple
of hours you'll be able to go and spend some of that money you're
holding. I've got all the makeup and removal stuff here so I can get you
ready in just a few minutes. It could take me another couple of hours to
find someone else the right size who is willing, so the whole programme
would be ruined, and I'm trying to get into commercial film and this was
one of the first productions I was working on."
Jess's persuasion and sob story has worked. The mark has agreed to help,
as long as no-one can recognise him on film or sees him dressed up. Paul
confirms that the mark will have full access to the footage before it
airs to confirm that his face has been blurred out.
"Right, let's get you ready then... there's a curtain over there, if you
go behind it and take off your clothes, I'll lock them up here with your
shopping... and I'm pushing the baby clothes under the curtain now, give
me a shout when you've got them on. Rob, I know it's safe around here
but can you lock up Peter's clothes and shopping please? Thanks."
Paul takes all the mark's stuff and places it in the cupboard at the end
of the trailer. After a few minutes the mark emerges nervously from
behind the curtain wearing the clothes. He looks quite a picture. He's
wearing a pink baby dress with small white and yellow flower patterns on
it. The dress is quite short and stops six inches above his knees. The
short puffy sleeves are circled with lace, just like the white Peter Pan
collar which sits snugly around his neck. He has on a pair of white
tights with little pink and yellow butterfly designs printed on them -
perfect for a three year old, perhaps.
His feet are strapped into a pair of shiny black Mary Jane style shoes
and he's wearing short, frilly ankle socks. Under the dress he has
matching pink cotton pants with the same flowery design, and they're
covering a bulky pair of nappy pants - essentially a pair of elasticated
pants with a nappy built in. Jess's sizing was spot on - the clothes fit
the mark perfectly. He looks ridiculous but Jess manages to keep a
straight face.
"You look very pretty, let's adjust your shoes and dress a bit though...
there, that's better."
Jess opens up another bag.
"I'll just get these on you then you're dressed, then we'll go to the
filming trailer and I'll do your makeup. It'll all come off easily at
the end, don't worry."
The mark lets Jess buckle a set of pink leather baby reins on him. She
pulls the straps tight and adjusts the buckles.
"Right, let's go to the filming trailer. There's no-one around here but
if you like you can put on this long overcoat to cover your clothes up.
Don't forget your cash."
The mark puts on the overcoat, hiding his juvenile outfit. Reluctantly
he peeks around the door and sees that there is indeed no-one around. He
picks up his envelope of cash and steps out and follows Jess to the
trailer at the far end. Paul has already picked the lock on this trailer
ready for them and the door is ajar. Like the first trailer, the hidden
cameras will let us see what happens. On the way they pass Alex, who is
standing outside one of the middle trailers holding the fake TV camera
and talking into his mobile. As they pass he tells them he'll be ready
in fifteen minutes. Jess and the mark reach the end trailer and step
inside.
"Okay, Ian will be ready in fifteen minutes, it'll take me about ten to
do your makeup. It's longer going on than coming off, believe me!"
Over the next ten minutes Jess gives the mark a makeover. She gives him
purple, sparkly eyelids and black eyeliner. He gets several coats of
waterproof, jet black mascara, giving his eyelashes an almost spidery
look. His eyebrows get a few coats of the same mascara in a curved arch.
She finishes his eyes with some waterproof eyeliner. The mark thinks
he's being given a light touch of makeup, but in fact Jess is piling it
on. She turns his cheeks bright red with way too much blusher. His lips
are coated with bright red lipstick which is painted on with a little
brush, followed by a coat of lipgloss.
His hair is parted down the middle and formed into pigtails with elastic
bands wound tightly around them, followed by pink hair ribbons. Jess
messes with the ribbons for a moment, straightening them up. The
pigtails stick out from the sides of the mark's head, giving him a
classic baby girl look. She clips a pair of dangly red plastic hoop
earrings to his ears. Finally she paints his fingernails with quick
drying hot pink nail varnish.
"Let's have a look at you. Wow, you look great! I should have brought a
mirror with me so you can see."
"Right, I'll go and get Ian and he'll do the filming. What will happen
is Rob will ask you questions and you just need to make up answers as you
go. Don't worry, the questions will be straightforward. Just imagine
you do this all the time and make it up as you go, you'll be fine. It'll
take around 45 minutes and then I'll get your makeup off and you can get
changed. Rob will give you his contact details so you can view the piece
before it gets added to the programme. Okay, Ian and Rob will be here in
a few minutes, and I'll come back for the filming to watch. You look
really cute, you'll be fine!"
Jess picks up her makeup bag and the overcoat and goes to get Paul and
Alex, leaving the mark alone in the trailer wearing his little girl
outfit. He stays seated, occasionally holding up his hands to look at
his nails or looking down at his frilly socks and infantile shoes. He
pulls on his leather reins, apparently seeing how much slack they have.
There's none at all - Jess saw to that.
After a few minutes the mark stands up and starts pacing around. He is
getting restless. As he paces he looks down at his patterned tights and
dress, and instinctively tries to pull the short hem down. Of course the
short baby dress stays several inches above his knees and only just
covers his matching pink pants and nappy. The mark sits down again and
waits.
And waits.
And waits some more.
After thirty minutes the mark obviously suspects something is up. He
goes to check his cash - it's in the envelope, right? He picks up the
envelope and rips the top open. Something's wrong. The bank notes have
somehow turned into strips of worthless newspaper. Now the mark knows
something's up and heads for the door of the trailer. He opens it and
again peeks nervously around. There is no-one around and no sight of the
film crew. He steps out and runs to the other trailer to get his clothes
back.
He doesn't get far. The trailer which contained his clothes is locked
and on the step by the door is his front-door key and a note. The mark
rattles the door handle but it's locked tight. He looks through the
window and sees that the cupboard is open and empty, and his clothes,
wallet, mobile phone and bags of expensive shopping have gone. He looks
at the note.
It reads "Thanks for the shopping! You have great taste in clothes, but
we think you look much better like this! Here's your front door key.
Have fun getting home in your little pink dress!"
The mark is panicking. He runs back to the other trailer and finds that
the door has shut. Without a key - or Paul's lock-picking ability - he's
not getting back in. Now he's trapped outside, dressed as a baby girl
wearing makeup, with no money, and all his clothes have been stolen. All
he has is the key to his front door. It starts to dawn on the mark that
he's going to have to make his way home, through a busy Saturday town
centre, dressed as he is with no way to hide. He is clearly trying to
look for other options, but there are none - the hustlers have seen to
that. He has an idea and starts trying to remove at least some of his
outfit.
The mark reaches down and tries to unbuckle his childish shoes. But the
buckles do not move. He realises that they have been superglued in
place. Next he tries to pull out his pigtails, but they too have been
superglued in place, the knots of the ribbons welded firmly to his hair.
The only way he'll get them off is by cutting off his hair below the
ribbons. His panic visibly increasing, he reaches behind him and tries
to unbuckle the leather reins. His bright pink fingers cannot seem to
get the buckles undone. Then he realises that each buckle has a padlock
attached. How did they get there?
He rubs his fingernails but of course his nail varnish is not going
anywhere. Similarly he cannot do anything about his thick black eyelashes
or curved black eyebrows. His tries to take off his earrings but they
are also superglued to his earlobes and will require a solvent to remove
- or he can wear them for a few days until the glue wears off. Surely he
can wipe off his bright red lipstick? Actually, no - Jess used a semi-
permanent paint type lipstain which cannot easily be removed. It will
wear off over the next few days. He manages to smear his bright red
cheeks and purple eyeshadow a little, but he cannot remove them without
some makeup remover.
The mark tries to unzip his dress but - yup, you've guessed it - the
zipper has been superglued too. And with his reins locked on there's no
way he's getting out of it. He finally realises he has been well and
truly hustled and his only option is to walk home dressed in this
embarrassing baby girl outfit. He stands between two of the trailers,
crouching down for a full twenty-five minutes before finding the nerve to
start making his way home. Our cameras follow him as he slowly makes his
way up the side street before emerging into the busy shopping precinct.
So how did this scam work? Where did all the superglue come from?
"When the mark came out from behind the curtain I told him he looked
pretty to distract him. While I adjusted his shoes and dress, I was
holding a small tube of superglue in my palm, and was able to apply a
generous squirt to the buckles and dress zipper. Similarly I was able to
palm some small padlocks and lock them onto the buckles while I tightened
them, followed by some superglue in the keyholes to prevent them from
being unlocked. When I was doing the mark's makeup and hair, I once
again had the superglue and made sure I squirted plenty of it into his
pigtails, the knots of the ribbons, and I applied a few drops to his
earrings before I clipped them on. With all that glue and the padlocks,
the mark is trapped in his humiliating outfit without even knowing it."
What about the envelope of cash? We saw Paul fill it with 10 and 20
pound notes, yet at the end it contained pieces of newspaper. How did
that happen?
"The mark sees me fill the envelope with money and seal it. At that
moment, Alex enters and distracts him. In that split second I switch the
envelope. Alex leaves, and the mark is none the wiser."
It takes the mark more than five hours to get home so we can tell him
what we did. As he approaches he is still wearing the pink dress and
reins, the black shoes and the frilly ankle socks. His pigtails have not
moved at all and his makeup and bright red lipstick are all still there,
as are his bright pink varnished nails. He is dressed exactly as we left
him. He tells us that his walk home was the most humiliating experience
he'd ever had.
"Well I had to walk for hours through the busy streets full of shoppers,
it was a nightmare. Everyone was looking. Once I was out the town
centre I had no choice but to follow the bus route for several more
miles. Cars were beeping their horns and pretty much everyone would
laugh. I really wanted to cover up the dress and baby reins but there
was nothing I could do. People were banging on the windows of the buses
as they drove past and I had a few teenage girls following me in
hysterics, recording it all on their mobile phones. They were the worst
really, they would keep asking me things."
What kind of things?
"You know, we love your pretty little dress, can we borrow it sometime.
Who did your pigtails and makeup, isn't it lovely. Where's your mummy,
little girl, isn't that why you're wearing reins. We stopped wearing
socks like those when we were five. At one point there were about seven
or eight of them, they followed me for about two miles. I told them it
was a stag night joke but they didn't believe me. One of them sprayed me
with perfume."
The mark is reunited with his possessions but still has to find a way to
get out of his baby clothes. With the padlocks full of glue, he will
have to find a way to cut the reins off before he can finally get out of
that dress - not easy with real leather straps. Exhausted from his
humiliating walk home, he opts instead to slump into a chair and close
his eyes. Within minutes he's fallen asleep. We leave him to rest in his
pink dress. When he wakes up he'll still have to get hold of some makeup
remover and nail varnish remover, and his bright red lips will take a few
days to fade back to normal. Even when he eventually gets out of his
clothes, it looks like he'll be staying in his makeup for a little while
longer. This is one lesson he won't forget.
"This could have been a lot worse for the mark. We could have taken his
front-door key too, leaving him no way to get home. He would have had to
smash a window or borrow a phone and call a locksmith or a friend with a
spare key - with no way to hide the way he was dressed. We could have
even left him in the trailer and called the police to say we'd just seen
someone break into it. He would probably have convinced the police he
was telling the truth eventually, but would still have faced several
hours in a police cell stuck in his little girl outfit, and then still
have to make his way home."
So remember - if you're approached in the street by someone claiming to
work for a film crew, and you offer to help them, make sure you don't end
up walking through the streets dressed as a baby girl.
Elouise
- 07.09.2022
- 7
- 0
A Life Accidentally Planned Ch 3 Do the Hustle
- 3 years ago
- 9
- 0
A Life Accidentally Planned Ch 2 Do the Hustle
- 3 years ago
- 16
- 0
