The Earl Maid
By Susannah Donim
The Hadleighs start to host meetings of local societies to ease their
financial difficulties. Rob gets drawn in to a rather unusual
demonstration at a meeting of the Pink Ladies.
Chapter 3
Charlie Todd was the secretary of the Lavenden Amateur Dramatic
Society. We had met him briefly the year before when I was in Romeo
and Juliet, but he hadn't been involved in that show.
"I can't do Shakespeare, I'm afraid," he admitted. "I don't
understand all those iambic pentameters. I did enjoy your performance
in Romeo and Juliet though, My Lord."
"Call me Rob, for God's sake," I said. "That whole 'your lordship'
thing is so nineteenth century."
Being 'your lordship' made me more uncomfortable every time someone
said it to me.
"And I'm Susie," added my wife.
Martha moved amongst us dispensing refreshments, which rather gave the
lie to my attempts to make out I was still one of the common people.
"Thank you, My Lord; er, I mean, Rob," Charlie continued. "Will you
be trying out for another show? Personally, I concentrate on light
entertainment: Ayckbourn, musicals, and the annual Christmas Panto."
"I'm sure they're more popular," said Susie, with a grin. "Your shows
probably recover the losses the others make on the classics."
"I couldn't possibly comment, My Lady, er Susie," he smiled.
"I think my performing days are over," I said. "At least for now.
The Estate is taking up all of my time at the moment."
"We'd love you to stay involved though. Maybe as a Patron?"
"That would be wonderful, wouldn't it, dear?" said Susie, before I
could get a word in.
"I'll certainly think about it," I said, giving her a reproving look
which I hoped Charlie didn't see.
Just because I was shy with strangers didn't mean I was going to give
in to my wife every time. Maybe sensing potential discord, Charlie
changed the subject.
"We're very grateful for the costumes, er, Rob. They'll save us a lot
of time and money. Actually, there is one other matter I'd like to
speak to you about." I nodded. "We have to find somewhere new for
our rehearsals. We've always used the church hall in the village, but
the diocese has just got a new bishop, and she's decided it's not an
appropriate use of church property."
"She sounds a bit puritanical," said Susie. "Perhaps the Earl might
have a word with her?"
I hoped she was joking. Arguing with a fearsome lady bishop wasn't my
idea of fun at all. Besides, I'd probably just freeze up, like always
when I tried public speaking.
"That would be really helpful," Charlie said, dunking a custard cream
in his coffee, "but what I actually had in mind was maybe using your
Great Hall? It would make a fantastic rehearsal space, with the side
rooms and the great staircase. We'd pay you rent of course; we have
our own insurance in case anything gets broken or somebody falls and
hurts themselves; and we'd always be careful to clear up afterwards."
"That would be excellent, wouldn't it, dear?" Susie said. She turned
to Charlie and continued in a confidential tone, "Between ourselves,
we could really do with the money."
"We couldn't afford much, I'm afraid," Charlie was quick to say. "The
church hall was really cheap."
"Every little helps," Susie said happily, "and it wouldn't cost us
anything, would it?"
"I noticed an old piano in the corner of the Hall, by the way," said
Charlie. "Does it work?"
"I believe so," said Susie. "None of us play though. It probably
needs tuning."
"Would you mind if I arranged that - at our expense, of course? Only
our next production is going to be a musical, and we'll need a piano
for rehearsals. That will be in October. Then we start work on our
annual Panto, which also has music, of course."
"That would be fine," Susie said with a smile. I could almost see a
little metaphoric light bulb come on over her head. "By the way, do
you do open air productions in the summer? Our back lawn would be
perfect."
"We do, actually." Charlie was clearly excited by that idea. "We've
always used the town's Pleasure Gardens, but it's been a nightmare, to
be honest. We have to pay the council most of our proceeds - we made
a loss in July this year - and we can't stop the public wandering
through when we're rehearsing. Oh, and our stage and scenery were
vandalised a couple of years ago."
"Well, why don't I show you the layout?" Susie said, taking his arm
and leading him out of the drawing room French windows toward the
lawn. "Perhaps we could take a percentage of the profits, rather than
a flat fee? That way your risk is reduced and the Hadleigh Estate
would be motivated to help you make it a success."
"That sounds brilliant!" Charlie was saying as they stepped outside.
I left them to it, marvelling at my wife's imagination and energy. I
hoped Charlie would be happy with the Countess of Hadleigh as the
Society's new patron.
* * *
Susie was right, of course. There were ways to utilise the Hall and
its gardens to raise money that my father had never tried - and
probably would have hated. But giving strangers the run of the Great
Hall, the kitchens, and a couple of underused ground floor reception
rooms didn't interfere with our lives at all, and the money would be
very welcome. So we told Charlie that he could go ahead.
As he had said, it wasn't a fortune, but it was steady income for Bill
to add into the Estate's revenues. I checked with Smythe that there
were no legal impediments to these short-term rentals, and he
confirmed that as long as we complied with fire regulations, provided
enough toilets and washing facilities, and had appropriate insurance
in place, there would be no problem.
Our guests used the front entrance which led through a small vestibule
directly into the Great Hall. We gave Charlie a set of keys and the
code to the burglar alarm. Susie and I could come and go through the
back door between the kitchens and Bill's office. There were
servants' entrances to both side wings from the kitchen area at the
back. We put 'Private' signs on the doors to the Library, the drawing
room, and my father's - that is, my - study. The only minor
inconvenience for us was that we had to give visitors access to the
two ground floor bathrooms, so we had to 'go' upstairs.
We soon got used to LADS taking up residence on Tuesday and Thursday
evenings, and throughout the weekend as Opening Night approached.
They cheerfully welcomed Susie and me in to watch them rehearse
whenever we liked.
"It always brings out the best in them when they have an audience,"
Charlie said, "even if it's only two."
We were confident Charlie knew how to let his team in and out and lock
up after themselves, which was just as well as they were often still
hard at it when we retired for the night. Our bedroom in the West
Wing was upstairs and along a corridor, so they didn't disturb us,
even with the old re-tuned piano banging away and voices raised
singing Tonight and America.
We were happy to let them make full use of the kitchens for their
refreshments. Some members of the cast, who had presumably come
straight from work, even took to cooking their evening meals there.
Many of them brought their own booze - mostly canned lager and cheap
wine. As Charlie had promised, they did what they could at cleaning
up after themselves, taking the rubbish and empty beer cans and wine
bottles out to our recycling centre round the back of the house, and
filling and starting the dishwasher, but unfortunately this still left
quite a mess.
It wasn't reasonable, we understood, to expect the actors, who had
been sweating blood all evening over West Side Story, to start wiping
down tables and scrubbing carpets at eleven o'clock at night. Charlie
suggested we hired a professional cleaning firm for the mornings after
rehearsals and promised LADS would pay their share of the costs.
Knowing we would soon need to be making alternative arrangements when
Martha left, we agreed, and he recommended a firm that many of their
members used.
* * *
One good thing about being an Earl is that when you ask a company for
help they tend to send the boss. The Managing Director of J & J Home
Counties Housekeeping came to the Hall personally. Her name was Sally
Jackson. She was tall, pretty, and elegant in a pale blue
businesswoman's skirt suit. She was also fearsomely efficient. She
reminded me of Susie in that respect, and the two of them hit it off
immediately.
We had arranged for her to visit the day after a rehearsal, so she
could see the extent of the job for herself. She brought an assistant
with her, a tall swarthy girl with a big bust and a broad backside in
a cheap pant suit. Susie led the way, identifying all the places the
LADS people used, and finishing with our private areas. I followed at
a discreet distance.
Every now and then Sally called over her shoulder to the plump girl,
who scribbled something in her notebook. These instructions were in a
foreign language - Spanish, I think. The girl, whose name appeared to
be Maria - she wasn't introduced to us - made only monosyllabic
replies, also in Spanish, and in a husky voice that made me wonder if
she had a cold or something.
After the brief tour we returned to the drawing room where Martha had
laid out coffee and biscuits. Sally and Susie continued their chat
while Maria sat quietly, presumably because her English wasn't up to
following the conversation. Apparently she was doing sums on a
calculator and recording the results in her notebook. Eventually she
passed it to her boss, who took it, nodded, and passed it back.
"We'd be delighted to provide cleaning services for you, My Lady,"
Sally said. "I'm afraid most of the areas we've seen will require a
very extensive spring-clean. The kitchen in particular is in a poor
condition, as are some of the bathrooms. I suggest a small team for a
full day. That will be a once-off price of... Maria? Muestre a
Se?ora su estimaci?n."
The plump girl held out her notebook for Susie to see. She tutted.
"That is a lot, but I suppose we have no choice," she said. "You know
we've only just taken over? The old Earl, my husband's late father,
cut back dramatically on the staff, and poor Martha... well, there
just aren't enough hours in the day for her to keep everything
shipshape."
Apparently I didn't get to see the estimate. Well we'd agreed that
the house was Susie's responsibility. I had the rest of the Estate to
worry about.
"I understand, My Lady, but after that initial effort it will be much
easier to keep everywhere in good condition. If you can give us
sufficient notice, we will always try to be available the day after
you've had clients in. I think we will usually need to allocate two
girls to be sure of completing the work in a sensible time for you.
We charge for complete hours, so I suggest our girls clean up the
public spaces first, and then if there's time left over, they can do
some work in your private accommodation. They do laundry and ironing
too, if you would like that."
"That would be excellent," Susie confirmed. "I'll just need your
girls to itemise how much time they spend in each area, so that I can
charge LADS the right amount."
Sally promised to do so, and the two ladies chatted amiably while they
finished their coffee. Maria and I listened quietly, although the
former was gazing placidly out of the French windows and gave no sign
of understanding the conversation. She did glance in my direction
occasionally. Maybe she was wandering why I wasn't contributing to
the conversation. She'd probably never met a real Earl before, and
certainly not one as bashful as me.
Susie asked about the company name.
"It stands for 'Jackson and Jenkins' - my husband's name and my maiden
name. We merged with Home Counties Housekeeping a year or so ago.
Well, it was more of a takeover really. J & J were much more
profitable, so I was able to dictate terms. The joint company now
cleans homes and offices all over the Home Counties, north of London.
We have clients in Berkshire, Bucks, Herts, Bedfordshire and Essex.
I'm looking to buy companies in Cambridgeshire and Northants next."
What a ball of fire this woman was! And here was I, nervous about
taking over running the Hadleigh Estate!
"And what does your husband do?"
"Oh, he's a software engineer."
She seemed more hesitant now. Was it my imagination, or did Maria
seem to perk up at the mention of Sally's husband?
"He used to work for a big city bank," she continued, after a slightly
awkward pause. "He made a lot of money from a trading app he
developed and went freelance. Now he helps me out with the company.
In fact, I couldn't have done any of it without him. I needed his
financial investment, and his personal support too."
"'Behind every successful woman', eh?"
They both laughed. I joined in, dutifully. Maria stared blankly,
although she seemed to have gone a bit red, for some reason.
* * *
J & J Home Counties Housekeeping were not cheap, but they were very
good. They sent in three girls, including Maria, for their initial
blitz. The dishwasher and at least two vacuum cleaners seemed to be
running all day. We hardly recognised the place afterwards. We'd
made sure they came on one of Martha's days off and when she arrived
the next morning, she was most impressed, if a little embarrassed that
she'd been unable to keep the place up to that standard. We assured
her we understood. We knew she was an incredibly hard worker, but she
was just one woman.
Through the Autumn we came to rely on J & J more and more as Martha
started to cut her hours back. The J & J girls were thorough and
conscientious, perhaps because Mrs Jackson had a habit of turning up
unannounced to check up on them. It was a good thing we had entered
into that arrangement with them, because enquiries were coming in fast
now, regarding the use of the Hall and the grounds. The word had got
around that the new Earl was keen to be part of the local community,
unlike his taciturn father. Not that anyone ever saw the Earl
himself. It was always the Countess, supported by the ever-vigilant
(and ever-expanding) Martha who welcomed the visitors. I was always
'somewhere out on the Estate' with Bill. Sometimes that was even
true.
Brian, one of the LADS players (Officer Krupke in their forthcoming
production of West Side Story), approached us one evening before a
rehearsal. He was the secretary of the local model railway society.
They were looking for a suitable venue for their Christmas exhibition,
having been ejected from the Church Hall by the new lady bishop. They
would need a full four days - the Thursday to set up and then Friday,
Saturday and Sunday for visitors. Some of their members were in the
trade; others were amateur modellers who were keen to sell their work
to enthusiasts. The first week in December was ideal as people would
be actively looking for Christmas presents.
Brian met regularly with the secretaries of other clubs in the area.
He was confident the Hall would be much in demand. As he predicted,
many local societies soon followed suit, literally so in the case of
the local Bridge Club. They wanted to run a one-day tournament for
players across the county. We could squeeze forty tables into the
Great Hall and the adjoining reception rooms. The event wouldn't
interfere with us any more than LADS rehearsals did, although we would
have to make more lavatories available. It was a good thing we were
overflowing with them (as it were).
We had a Collectors' Fair on a weekend in early October. Serious-
looking gentlemen and a very few ladies (nerds of both sexes) turned
up bearing boxes of books, magazines, comics, and stamps. They
conducted earnest debates about the value of a 1972 Practical
Electronics or issue #100 of The Amazing Spider-Man (September 1971).
Most of the boxes left with different owners, to clutter up other
people's lofts and garages.
In all these cases, the societies brought their own equipment and did
their own catering using our kitchens. We could add the costs of
water, gas, electricity and cleaning onto our charge for the hire of
the Hall. After that, it was all profit. Who needs the National
Trust?
* * *
"I had a very interesting phone call at the office this morning," said
Susie. "It was on my personal mobile, so I knew it was to do with us
- I mean, the Estate - not work."
We were eating at one corner of the enormous table in our enormous
kitchen. Susie usually came back for lunch and worked from home
whenever she had no meetings in the afternoon.
"Another possible client for the Hall?"
"And a very interesting one," she repeated, "particularly for you."
She was grinning now, so I knew I was in for a teasing.
"Go on then," I sighed.
"Did you know there was a local crossdressers society?'"
"No, I didn't, and why should it be 'especially interesting' for me?"
"Because of your history, of course."
"What history?"
"Lady Bracknell, Juliet's Nurse..."
She was ticking my exploits in transvestism off on her fingers.
"Those were legitimate acting roles," I protested, "and, as I keep
saying, I did far more male parts."
"...and most recently, Martha the maid."
"That was... different," I stuttered to a halt. "For God's sake,
Susie, that was about sex, and it was your idea."
"Still makes you a crossdresser, sweetie," she smirked.
"No, it doesn't!" I was getting worked up now. "Are you impugning my
masculinity?"
"Of course not!" She might have realised she had gone too far. "I
have no complaints at all on that score. But there's nothing wrong
with dressing-up games between consenting adults, if it spices up
their sex life, and as long as no one gets hurt. According to
Doris..."
"Who the hell's Doris?"
"The man who called me this morning. Apparently they don't tell each
other their real names; they just use their 'femme' names. They call
themselves the 'Pink Ladies'."
"Sounds like a gin drinking club."
"Anyway, he said that most transvestites are heterosexual males. A
desire to dress in the clothes of the opposite gender has nothing to
do with sexual preference - or masculinity."
"I just assumed they'd all be sissies, or at least gay."
"Doris says that's what most people think, but it's just ignorant
prejudice. Obviously, some crossdressers are gay, but no more than
you'd find in any cross-section of the male population. We had a
lovely chat actually. He said that one of their members is in the
Army and another plays for the Police national rugby team."
"Don't the Pink Ladies have any women members?"
"I asked that," she said. "They don't at the moment, but quite a lot
of the wives come to their get-togethers. He said there's a sort of
competition between them to see who can make their husbands
prettiest."
Not liking the sound of that.
"And now they want to hold their meetings at our place?" I hurried on.
"That's right. They used to meet at Doris's house. Then they grew
too big - there's about twenty of them now - and they had to hire the
local Church hall, but the new bishop put a stop to that when she
found out. Apparently a squad of brain-dead thugs from the village
attacked some of the 'ladies' in the car park, so I suppose the bishop
was justified. Can't have punch-ups on Church property."
"Maybe," I said. "Not very Christian though, was it? Anyway, their
loss is our gain."
"Yes, but we'll have to be discreet. We can't tell anyone about it.
They're not at all ashamed of what they are, Doris said, but they'd
rather avoid trouble with the local Neanderthals. Actually that's
probably an insult to Neanderthals... Anyway the Army sergeant broke
one boy's arm and put another in hospital. He was lucky not to lose
his job. Presumably the little ratbags were too embarrassed to admit
they'd been beaten up by someone in a twinset and pearls."
"What did the Pink Lady policeman do?"
"Nothing. He didn't see the fight. He was still inside fixing his
make-up."
* * *
I steered clear of the Pink Ladies' meetings, for fear of Susie
getting any more crazy ideas. I still enjoyed the sexual thrill of
being Martha the maid in private (especially afterwards), but I wasn't
keen to participate in any 'pretty husbands' competition. I was
afraid I might win.
So the first time they met at the Hall, I hid in the Dacia Duster at
the far end of the building and watched them arrive in a small fleet
of cars. It occurred to me that if I was curious, and had access to
the appropriate database, I could identify all the 'ladies' from their
car registrations. Against a really determined potential blackmailer,
using aliases wouldn't really give them the anonymity they wanted.
There were more like thirty than twenty of them, so I guessed that the
surplus women were supportive wives. I wondered if they merely
tolerated their husbands' fetish, or joined in enthusiastically, as
apparently my own wife did. Or would, if my occasional maid play were
a fetish. Which it wasn't. Obviously.
It seemed that most of the Pink Ladies made their transformations in
the privacy of their own homes. If they were seeking anonymity that
made sense, but I admired their courage in driving - or being driven -
here in full drag. I doubt I could have done that.
I was astonished to see that well over half of the 'lady visitors'
were indistinguishable from actual women. They couldn't all be
supportive wives, so I supposed that just showed how accomplished the
club members were at their female impersonation. The way most of them
moved, walked and gestured was feminine to the core. The only 'tell'
was that they were taller than average for a group of women. Having
said all that, a handful of them looked like men in dresses, exactly
as I had expected.
Only a couple of the visitors were dressed as men - presumably they
were 'out', at least in this company. They were carrying suitcases
and other paraphernalia, presumably intending to dress in one of our
side rooms. The group had rented the Great Hall, plus the kitchen,
two bathrooms, and two small reception rooms.
From my vantage point I could just see Martha, in uniform, opening the
front door, and Susie, in full Countess mode, welcoming her cross-
dressed visitors. Finally the door closed. I started the Duster and
went off to meet Bill at one of our outlying farms. I was late.
* * *
"Don't you want to know how the Pink Ladies spent the afternoon?"
Susie asked as we sat down to dinner that evening.
"Not really... Hang on, does that mean you joined in?"
"Doris invited me to watch a couple of their demonstrations. She
lives as a woman 24/7 now and she's really convincing. But aren't you
curious about what they were doing here?"
"No, but I see you're dying to tell me, so I'm happy to listen."
"They're a lovely bunch of boys and girls," she said, and rattled on
quickly in case I changed my mind. "They split into groups. In the
Hall they ran a slide show of their members' best photos en femme.
Then in one of the side rooms there were demonstrations - make-up,
hair, wigs, and so on. In the other room Doris was selling
crossdressers' merchandise: gaffes, cosmetics, shapewear with built-in
padding... oh, and breast forms. I nearly bought a pair."
"What! What on earth for?"
"For you. I mean, for Martha, my lady's maid. It would be easier
than padding your bra with panties or toilet roll - and more
realistic."
"This is getting too serious. I think my Martha will be retiring
soon, like the other Martha."
"Oh, don't say that! We still have lots of clearing out to do, and I
love doing it with you with us dressed as two maids!"
"You didn't actually buy anything, did you? What would they think?
They'd assume your husband is one of them - a transvestite!"
"Why should we care what they think? It's none of their business."
"But what if they told someone? I could be - I don't know -
blackmailed!"
"For what? We're not rich. Anyway they'd never do that. They know
the importance of discretion. They trust us and we can trust them."
I hoped she was right. I hoped we never had to find out.
* * *
The Pink Ladies met fortnightly. Lots of things happened before their
next gathering. Several more groups rented our ground floor rooms for
their meetings. We hosted the Choral Society, the Decorative and Fine
Arts Society, the Camera Club, the Historians, and the Detectorists.
We decided not to go after the wedding reception trade, not having a
liquor licence and not wanting to get involved with catering, but we
did host a couple of eighteenth birthday parties. The J & J cleaners
had their work cut out after those, and Martha, Susie and I spent most
of the following morning picking up beer cans, wine bottles and crisp
packets from the gardens.
A group of local ladies ran a yoga class every other Tuesday evening.
They took it in turns to provide an evening meal afterwards. (The
competition for who was the best cook quickly undermined all the good
done by the exercise.)
As the Opening Night of their production of West Side Story
approached, LADS picked up the pace of their rehearsals. The last few
were noisy and frantic, but the show was a triumph. Susie and I had
complimentary front row seats for the Saturday night and were invited
to the cast party afterwards. I don't do well at boisterous parties.
I tried my best to be anonymous but Susie made sure I was introduced
to everyone, which included various local dignitaries like the Mayor
and Mayoress. There was some embarrassed bowing and scraping. It
seems I'm not the only one who doesn't know how to behave in the
presence of an Earl. Susie was in her element, of course. In the end
I quite enjoyed myself, but that might have been the cheap wine. (We
got a taxi home.)
As we were getting ready to leave the party, Charlie thanked us for
our hospitality over the last six weeks and I thanked him for his
money. Laughing, he said he'd see us next week. Rehearsals for the
Christmas pantomime would be starting immediately.
When Bill and I sat down with the Estate's accountant, the extra
income was very satisfying. We were more than meeting our expenses
now, so we wouldn't need to dip into the emergency fund anytime soon.
Which was just as well, because Probate finally came through at the
end of the month. It was much as Smythe had anticipated. Bill and
Martha were delighted with their windfalls, but when all the bequest
and debts had been paid off and tax bills settled, we had about forty-
eight thousand left. That money was ours to use now, but as long as
we had Susie's salary and continued to raise additional income by
renting out the Hall, that contingency fund was safe.
We'd been in touch regularly with my mother through Skype. She was
still having a whale of a time in the States. Esme was always quick
to introduce her to everyone as 'the Dowager Countess of Hadleigh'
which impressed the Americans no end. In fact, she was having such a
good time that she had decided to stay on for a while. Esme's son was
hospitable and generous; so much so, that Esme decided to sell up in
England and buy a little house near her family in Atlanta. She asked
my Mum to stay and help her with the move. It now looked as though
she might not be back till Christmas.
So after six months of upheavals, the most disruptive period of my
life so far, it seemed like we were finally on an even keel.
Then the Pink Ladies came back for their early October meeting, and
life was never the same again.
* * *
The main event of the crossdressing society's second meeting at the
Hall would be a demonstration by a team from Transformations, who were
specialists in changing one's appearance. They had recently developed
technology which enabled them to disguise their clients' faces as well
as their bodies. They could even disguise them as other - real -
people.
I suggested to Susie that this sounded a little dubious ethically. I
could see why it might all be harmless fun for members of the Pink
Ladies, but surely the process could be used for fraud, or for helping
fugitives on the run from the police? Susie saw my point and promised
to find out more about this strange company before letting them into
Hadleigh Hall.
"Doris said they're very careful," she said, reporting their telephone
conversation back to me later. "They refuse to help anyone who is
obviously crooked, but their MD admits they occasionally sail a little
close to the wind. They don't inquire about a client's reason for
their transformation. That way, they can't be done for conspiracy if
the customer's motivation is criminal. Apparently they have well over
a hundred clients now, many regulars, and by the Law of Averages a
couple of them must have been illicit in some way."
"I suppose that's reasonable. So what will this demonstration
entail?"
"Doris wasn't sure of all the details, but apparently they have a
trailer with a hairdressing salon and a sort of mobile laboratory.
They use a 3D printer to make prosthetics and masks, and then fit them
and add wigs and make-up in the trailer. They have a contract with
one of the big film studios and the trailer spends most of its time on
their site. It sounds really interesting."
"Presumably they're hoping to drum up more business from the Pink
Ladies?"
"I guess so. Doris says they're pretty expensive though. He doubts
he could afford them himself."
* * *
I didn't plan to be around when the Pink Ladies and the
Transformations team arrived that day, but plans change. In the
morning Bill and I had been inspecting some broken fencing at the far
edge of the Estate. We'd gone across the fields in his old Land
Rover, made the repairs, and only then discovered that we'd parked in
a boggy area. There had been a lot of rain recently and the car was
well and truly stuck. Four-wheel drive doesn't help much if all four
wheels are spinning helplessly in the mud. We had a few spare fence
posts left over, and by jamming one under each wheel, we eventually
managed to get the car free. Of course we'd both got covered in mud
in the process, me more than Bill as half the time he was warm and dry
in the driver's seat.
A boozy lunch at the nearest pub, sitting outside because of the state
of our clothes, restored our sense of humour. Afterwards Bill dropped
me back at the Hall to get cleaned up and changed. There was a large
white camper van in the courtyard round the back. I assumed that was
what Doris meant when she told Susie about Transformations' trailer.
Thick electricity cables snaked their way out of the van and in
through the back door. I stepped over them and went inside.
Several of the Pink Ladies were milling about in the kitchen
organising refreshments. They looked at me and my muddy overalls with
alarm. I was just about to start up the back stairs when Susie came
bustling in. She took me to one side, out of earshot of any of our
guests.
"Good, you're back!" She looked more closely at me. "Heavens, what
happened to you? Did you fall in a ditch?"
"Car trouble," I began. "We got stuck in a bog..."
"Oh... well, never mind that now," she said, rather brusquely, I
thought. "We need your help. The Transformations people need someone
to demonstrate on."
"What? No way! No one's going to demonstrate anything on me."
"Oh, come on now. Don't be difficult," she wheedled. "There's no one
else."
"Why can't they transform one of the Pink Ladies?"
"They all came in full drag this week. It seems no one remembered
that one of them would need to be in male mode for the Transformations
people to transform."
"Sounds like a massive cock-up somewhere. Not my problem."
"Look, you'll be completely unrecognisable when they've finished."
"Susie, I really don't want to do this. Even if I weren't... you
know... personally..."
"As shy as a squirrel?"
I winced at that cruel but accurate assessment.
"There's my public position to consider," I insisted. "You can
imagine the headlines: 'The Cross-dressing Earl of Hadleigh'. It
doesn't bear thinking about."
"God, pompous much? All right, all right! I'll introduce you as one
of the Estate workers who's volunteered to help out. That certainly
fits with the state of you. Earls aren't supposed to do manual
labour. I'll find you a baseball cap and some dark glasses. Please,
Rob! These are good customers. We need them to go home happy."
I hesitated. She seized the initiative and dragged me upstairs to get
cleaned up.
* * *
Half an hour later Susie led me into the Hall wearing only a clean
pair of underpants, slippers, an old dressing gown (which I wrapped
around me and clutched tightly), dark glasses, and a baseball cap
bearing the legend, 'I Love NY' (which I'm pretty sure I wouldn't).
She indicated I should sit down on a chair facing the audience, which
I did, desperately wishing an abyss would open up beneath me and
conduct me straight to Hell, which could hardly be worse than what I
was currently facing.
A respectable-looking middle-aged lady in a pink top and a white
pleated skirt stepped up beside me. She had short, permed blonde
hair, and wore a pearl necklace and matching earrings. If I passed
her in the street, it would never have occurred to me that she was
anything other than what she seemed - until she opened her mouth.
"This is Tom, everyone," she announced in a clear baritone which she
made no attempt to lighten. "He has volunteered to be
Transformations' subject for today out of the goodness of his heart,
and because Her Ladyship has promised him overtime."
Sniggers.
"He is a little shy, as you will see from his attempts to conceal his
features, but I think you can tell from what you can see that he is a
typical, reasonably good-looking young man. There is nothing feminine
about him." She turned to me. "Are you married, Tom?"
I nodded sullenly. I didn't trust myself to speak.
"To a woman?"
I nodded again, with an even filthier look.
"Anyway," she continued, unfazed, "my point is, he bears no
resemblance to our other volunteer for this afternoon."
She gestured towards a figure to my right whom I hadn't previously
noticed. Martha got to her feet, smiling, and gave an elaborate mock
curtsey to the audience of ladies and 'ladies'. For some reason she
was wearing one of the antique maid's uniforms from our attic store.
It was a floor-length black dress with a frilly bib apron and matching
cap. The combination successfully concealed her expanding waistline.
"But, as you will soon see, that is about to change. Over to you,
Annie, I think."
She sat down. A pretty young woman - definitely an actual woman - got
up and moved towards me.
"Thank you, Doris," she said. "Good afternoon, everyone." I noticed
she was careful not to say 'ladies and gentlemen'. "My name is Annie
Jones. I am Principal Consultant at Transformations. I and my
colleague, Vera, who is waiting for us outside in our trailer, will
shortly begin work on Tom here. We'll be filming the process, and
you'll be able to watch everything on the live link to the big screen
behind me. We've already taken high definition photographs of Martha
from every angle. We just have to do the same for Tom, then we can
use our proprietary software and 3D printer to create facial
prosthetics that will enable us to change him into Martha."
She turned to me with a smile.
"Don't worry, Tom, it's not permanent."
I was still too tongue-tied to respond. Annie looked concerned that
perhaps her test subject was less than a hundred per cent willing.
Very observant of her.
"One last thing," Annie said. "I have a little badge here for Martha,
so that we don't get her mixed up with her soon-to-be twin."
Everyone laughed. They clearly couldn't imagine not being able to
tell the difference between the Hall's plump housekeeper and Tom, the
rough labourer. She pinned a cardboard badge like they use at
conferences onto the left shoulder strap of Martha's apron. It read
'Martha No. 1' in large, bold letters.
"All right, Tom?" she said. "Let's go then."
I got up and followed her gloomily. Susie led us to the kitchen and
out of the back door.
I heard Annie say, "Are you sure he's happy to go along with this, My
Lady? He seems very downcast."
"Happy, no," Susie replied. "Content, maybe? No, resigned, I'd say.
I'm sure he'll be happy with the extra money."
Annie wasn't reassured and nor was I, especially as I knew there
wouldn't really be any financial reward.
* * *
The trailer was air-conditioned and brightly lit. At one end it was
like an office. There was a desk with two small laptop computers on
it and a big 3D printer. The desk chair was clamped to the floor,
presumably to stop it rolling around when the van was on the move. At
the other end the van was a hairdressing salon, except with no
washbasin and presumably no running water. The table below a big wall
mirror was cluttered with cosmetics, tissues, hairbrushes, combs, and
other hairdressing paraphernalia.
I noticed a curly pepper-and-salt wig on a stand. It was already
styled in a tidy bun to resemble Martha's hairdo for work. No doubt I
would soon be wearing that. A big woman in a hairdresser's smock was
bending over it. She looked up and waved cheerily as Annie and I
entered.
"Here's our guinea pig, Vera," Annie said. "This is Tom."
"Bashful, eh?" said Vera, pointing at my hat and glasses. "You'll
have to take those off, you know."
Annie was logging into one of the laptops.
"It's all right," she said, reassuringly. "We'll keep the webcam off
your face until Vera's stuck some of the prosthetics on. Sit down,
Tom."
Vera span the chair round for me and I took my seat. I was now facing
away from the salon mirror.
"First job: I need to get photos of you from every angle," said Annie.
I must have looked apprehensive. "Don't worry. No one else will ever
see them. Just sit up nice and straight, please."
She relieved me of my cap and glasses and for the next five minutes
walked around me, snapping away with what looked like a top-of-the-
range digital camera.
"The pictures are transmitted directly to the laptop," Annie said.
"Then the software puts them together to make a 3D model of your face
and head. That is compared with a similar model of Martha's. The
prosthetics we need are constructed from the differences between
them."
She sounded very proud of this technology.
"My husband wrote these programs," she said. "He's brilliant."
Which explained her pride, I supposed.
"Next, a really close shave," said Vera, when Annie had finished. She
proceeded to lather my face.
"I'm running the program now," Annie said. "It will print the facial
prosthetics while Vera is doing that."
I had shaved that morning as usual with my electric razor, but it was
old and the blades were dull. My chin and neck were like sandpaper.
Susie was always nagging me to get a new one. Vera used an old-
fashioned cut-throat razor, and it was sharp.
"Keep still now, dear," she said. "I don't want to nick an artery."
She was clearly expert at this, and very careful. When she finished,
she gently massaged a sweet-smelling balm into my smarting skin. I
had never had such a close shave. My skin was now more like glass
than sandpaper.
The printer suddenly whirred into life and started spewing out some
fleshy-looking objects, which Annie removed and put on the trolley
next to my chair.
The laptop speaker suddenly started making crowd noises. Annie had
established a link to the computer in the Hall. I could see our
audience of Pink Ladies and their wives, chatting amiably. I
hurriedly turned my face away from them.
"Can you hear me over there?" Annie said into the laptop microphone.
"Yes, you're coming through loud and clear," Doris replied, her voice
rising above the background hubbub, which quickly died away as the
audience realised the demo was about to begin.
"Right, I'm going to put the camera up on the shelf here so that you
can see what Vera is doing."
She propped the laptop up behind me. The webcam was now focused on
Vera. The audience would see only the back of my head.
Annie provided continual narration for the benefit of the unseen
audience in the Hall.
"Vera will now apply the facial prosthetics. For those of you who are
interested in how the technology works, our software creates high
resolution models of Martha's and Tom's heads and then prints flesh-
like pieces based on the differences between them. It also provides a
template to help the operator fix each piece in precisely the right
place."
Vera held a thin piece of plastic up to the camera.
"Obviously this process works best when the subject's head and
features are smaller than those of the target, but it's effective as
long as the shapes of the two heads are similar, and the subject's
features aren't too pronounced, which fortunately is the case with Tom
and Martha."
What she was too tactful to say was that my head was small and narrow
while Martha's was big and round. She was a little on the chubby side
(to put it kindly), so no part of my face would protrude beyond her
plump rosy cheeks and double chin.
"You'll need to close your eyes now, dear," said Vera.
I did so and she pressed the wafer-thin plastic mask over my face.
"Vera is now pressing the template down over Tom's face," Annie said.
"It exactly matches the contours of his features, so it stays in place
by static electricity. No adhesive needed."
Vera leant in closely and started to mark out her work on my face. I
could feel a light touch, like a pencil, pressing into my flesh.
"She is now going over the guidelines on the template with a fine
stylus," said Annie to the rapt audience. "The underside of the
template is like old-fashioned carbon paper, so the impression of the
nib makes fine blue markings on Tom's face to show her where to glue
the prosthetic pieces."
Vera finished tracing the guidelines from the template, and gently
peeled it away.
"I think we can turn him round to the webcam now, Vera," said Annie,
muting the laptop microphone for a moment. "No one could possibly
recognise him with all those blue lines on his face."
They span the chair round. I saw Vera picking up the first of the
flesh pieces and applying what I assumed was adhesive to its back. I
shut my eyes again.
For the next twenty minutes she glued lumps of skin to my face while
Annie kept up her running commentary. The last pieces went around my
neck. I now had a wobbly double chin like Martha's, and my Adam's
Apple was completely concealed. Vera used a damp tissue to wipe away
the few remaining blue lines.
"You'll notice that the colours of the prosthetic pieces are a close
match to Martha's skin tones," Annie said, "which are a little
different from Tom's. So Vera now has to touch up those parts of
Tom's face not covered by prosthetics."
There didn't seem to be many of those, and indeed it didn't take Vera
and her paintbrush very long to make my new face a uniform Martha
colour.
"You can open your eyes now, dear," she said, stepping away, thereby
exposing me clearly to the webcam.
There was an immediate increase in the noise level from the Hall,
mainly gasps of astonishment.
"We haven't finished yet," said Annie. "Vera will put her wig on
now."
Her?
As instructed, Vera reached for a nylon wig cap from the table and
pulled it over my head, tucking my own hair underneath. She then
lowered the Martha wig down over the cap, straightening it out
carefully and tightening the internal straps. I watched, as awestruck
as anyone in the Hall, as she brushed and smoothed the wig. She
secured the sides with hairpins and gave the whole coiffure a good
spraying.
I stared aghast at my image in the mirror. I had Martha's head on my
body. There was a spontaneous round of applause from the Hall.
"That's all we're going to show you over the link, everyone," said
Annie. "We're going to help Martha No. 2 here to get dressed and then
we'll bring her over to the Hall."
She closed the laptop.
"We do make prosthetics for the entire body," Annie said. "So we
could make you an exact match to Martha's figure, but that would all
take too long for an afternoon's demonstration. We have a padded
girdle and a bra with breast forms which will get you close enough."
Meanwhile Vera was approaching me with the bra and a couple of
unpleasant-looking lumps of plastic.
"You need to take your dressing gown off now, dear," she said. "We
would normally shave our client's chest and stick these on with
medical adhesive, but I imagine you'd rather keep your chest hair?" I
nodded firmly. "In that case, let me help you on with this. The
forms will just have to sit freely in the cups."
Vera held the bra out for me and I stuck my arms through the straps.
She closed the three hook-and-eye fastenings behind my back. Then she
slipped a breast form into each cup and adjusted them until they sat
properly in place.
"They won't move realistically, of course," said Annie, "but they
should be fine for our purposes today. Just try not to move around
too sharply. You don't want your bust to fly away."
"Lower half now," Vera said.
She reached up to pull a curtain across at the end of the trailer.
She handed me yet another complex piece of feminine underwear. It was
surprisingly heavy.
"This is a padded pantiegirdle," she said. "Go behind the curtain and
slip it on. Take your underpants off first, of course!"
She laughed, but it's just as well she'd added that, because I had
been about to pull the thing up over my Y-fronts. I retired to follow
instructions. I had to admit that I was impressed with the
Transformations experience so far, and was now curious as to just how
close to Martha they could make me.
I kicked my slippers off, stepped out of my pants, and reached for the
girdle.
"There's been a certain amount of guesswork involved," Annie called
from the other side of the curtain, "but we think it should expand
your hips and backside to approximately the same dimensions as
Martha."
If that was right, she was bigger in the nether regions than I had
previously realised. When I'd pulled the thing up as far as it would
go, it was like someone had wrapped several sheets of thick bandage
round me. I felt like I stuck out a mile in all directions,
especially behind.
I stepped nervously out from behind the curtain. Vera pulled it back
again and tied it up. I tossed my discarded underpants onto the chair
with my dressing gown.
I had never felt so embarrassed in my life, but the two ladies were
far too professional to let any amusement show, which helped a little.
I caught a glimpse of myself in the mirror. Apart from the masculine
hair on my arms and legs, there was nothing to see of me - Tom or Rob.
The face and figure were entirely Martha. I calmed down a little.
This was like playing a part on stage. It was OK as long as no one
could connect this ridiculous figure with Lord Marsham, Earl of
Hadleigh.
The facial prosthetics felt like I was wearing a mask, but they
weren't uncomfortable, and they seemed to move with my expression
easily enough. I tried smiling and frowning. The Martha in the
mirror smiled and frowned quite naturally.
The two women were evaluating their work carefully. They seemed
satisfied.
"She really needs a corset or waist cincher," said Vera.
"It'll be all right as long as the dress fits," said Annie. "Martha
No. 1 is - ahem - a little thick-waisted."
It seems Martha was still trying to conceal her pregnancy.
Vera unzipped a tall garment bag that had been hanging on the back of
the trailer door. It contained, as I had expected and feared, a full-
length maid uniform. There was the usual long black dress, and
various frilly white accessories.
"We decided on the old-fashioned long dresses because they will
conceal your hairy arms and legs," Annie said, "and save you the
bother of putting on stockings. It's lucky Martha and the Countess
were able to find two identical ones." She took hold of my hands and
examined them. "Not too hairy," she decided. "People probably won't
notice."
Vera handed me yet another voluminous undergarment.
"Here," she said. "That dress needs a petticoat. You just step into
it."
I did so. It had an elasticated waist, so it wasn't authentic. When
maids wore petticoats like these, the waists would have had a
drawstring. The hem fell to about an inch above the trailer floor.
Vera straightened it out and reached for the dress.
"Hands above your head," she ordered, sounding exactly like my mother
did when I was little, and she was struggling to get me to put on a
sweater.
The dress fastened with buttons down the front. As it dropped into
place, and I pushed my arms into the sleeves, it moulded itself nicely
around my bust, waist, distended hips and bum. Vera started fastening
the buttons. As she was finishing, Annie took a large white apron out
of the garment bag and handed it to her.
"This is a bib apron," Vera said. "Put your head through here."
The two sides of the top of the apron were already fastened with a
button, making a hole for my head. She went behind me gathering the
waist strings as she went and fastening them in a big, tidy bow. The
apron now hung from my neck; straps over each shoulder; a wide bodice
across my bust; and a full-length section from the waist down,
protecting the front of my dress and falling all the way to the floor.
"Sit down again, dear," Vera said. "I'll attach your cap. I'll need
to use hairpins to keep it in place. I did the other Martha's
earlier, so you should look exactly alike."
The other Martha?
"You're about an inch taller," said Annie, while Vera was playing with
my headgear, "so we asked her to put on some black pumps with one-inch
heels. We've got a pair of ballet flats for you. We keep a selection
of large size ladies' shoes. I think these should fit."
She knelt in front of me and slipped a nylon sock onto each of my
feet, followed by a flat black shoe.
"Hopefully you will be close enough in height. With your dresses
floor-length, no one should notice your shoes are different."
By this time Vera had finished with my cap. At her instruction I
tried shaking my head, but nothing moved. The wig was firmly attached
to the wig cap, and the maid's cap was firmly attached to the wig by
hair grips.
I stood and examined my new self incredulously in the mirror. Annie
and Vera watched me, with smug expressions. Well they were entitled.
I really did look exactly like Martha.
At that moment there was a knock at the trailer door.
"Ah, perfect timing!" said Annie and went to open it.
Martha - the real Martha - came bundling in. I wondered whether Susie
had told her who was under the disguise. I was pretty sure she would
know there was no Estate worker called Tom.
"Is she ready?" she said. "Can I see her?"
At which point, she caught sight of me and gasped.
"That's amazing," she said. "We could be twins!"
"That's certainly the idea," said Annie. "Now one last thing..."
She removed the 'Martha No. 1' badge from Martha's apron and pinned it
on me. Meanwhile Vera pinned a 'Martha No. 2' badge on Martha.
"That might catch a few people out!" Annie said. "Now I'll lead you
back to the Hall. Real Martha, follow behind me, and Fake Martha
behind her. Fake Martha, please try and imitate Real Martha as
closely as you can - without letting people see you're doing it.
Watch what she does with her hands. Take little steps. Don't forget
to smooth your skirt underneath you when you sit down. Do you think
you can curtsey?"
I could actually. I hadn't needed to as Lady Bracknell of course, but
Juliet's Nurse had to curtsey a lot.
"I can try," I said, in a soft voice, and demonstrated. All that
training by Alice Parr came back to me easily.
"Excellent!" said Annie. "Whenever did you learn to do that?" She
didn't wait for an answer, and I wasn't going to give one. "OK, so
I'll lead you in," she continued. "You each stop at one of the chairs
at the front; curtsey in unison; and sit down. No need for either of
you to say anything..."
* * *
It went brilliantly. There were more gasps as we paraded into the
Hall.
I managed to duplicate Martha's movements with no giveaways - little
steps, girly hand movements. We took hold of our bulky dresses and
curtseyed. We sat down together, smoothing our long skirts like we'd
both been doing it all our lives. Now that I was thoroughly disguised
and completely unrecognisable, I was able to enter into the spirit of
the deception. I even started to enjoy myself. I caught a glimpse of
Susie at the back of the Hall, chuckling quietly.
Annie challenged the audience to guess which was the real Martha.
They were hesitant, and their guesses were close to 50-50. In fact
Annie's little deception with the badges led the more gullible
visitors to nominate me as the real Martha, so slightly more than half
got it wrong. With Susie's encouragement Annie decided not to tell
anyone which of us was which, so I had to pretend to be a maid for the
rest of the afternoon. Susie ordered both of us Marthas to pass round
coffee and the refreshments that the Pink Ladies had brought for
themselves.
After the Transformations demonstration Annie and Vera were swamped by
Pink Ladies wanting more details and to make appointments. I kept
wondering when they were going to take me back to the trailer to
change me back, but Martha and I were kept busy with the catering,
feeding the dishwasher, and the tidying-up.
At about five o'clock, the Pink Ladies started to pack up and make
their way to their cars. I was standing at the door with Susie and
the real Martha seeing them off, when Doris sidled up to us.
"I knew which of you was which from the beginning. That one's Tom,"
she said proudly, pointing at me.
Martha and I maintained a discreet silence while Susie responded. "Go
on then, Doris," she said with a smile. "How could you tell?"
"The lips," Doris smirked. She stepped closer to me, examining my
facial prosthetics closely. "The face is amazing, but Martha's lips
are plumper, more feminine. Tom's are noticeably thinner."
She was quite right of course. Susie congratulated her.
"Mind you, you have to know what to look for to spot the difference,"
Doris continued, "and Tom gave a remarkably good impersonation. Are
you sure you haven't done this before?"
I shook my head, a little ashamed of the falsehood.
"Well you should definitely come along to one of our meetings. You'll
have a great time."
I didn't have to reply, as Annie and Vera were coming out and looking
for help in carrying their equipment to their van. I quickly
volunteered. Doris thanked Susie for her hospitality and took her
leave.
Annie came over to Susie to thank her and discuss how she thought the
meeting went. With a moment to relax, I realised that my boozy lunch
and coffee had gone through me and I couldn't hold out any longer. I
rushed to the... well, it would be the Ladies I suppose.
When I got back, I was just in time to see the Transformations van
disappearing down the lane up to the main road, without Vera turning
me back to Tom.
Another one of my wife's practical jokes! For how long was I going to
have to be Martha?
* * *
Susie finished fiddling with my apron, smoothed down my dress for me,
and stood back to take in my whole appearance.
It was seven o'clock. All our guests had departed. My maid duties
were finished for the moment. The place was as tidy as the other
Martha and I could make it, and she had gone home.
"You look great," Susie said approvingly. "Just like her. I doubt
Martha's own mother could tell you apart."
"It is impressive, I admit," I said, looking in the mirror inside the
wardrobe door. "But I'd like to change back now. They did give you
the solvent for these prosthetics, didn't they?"
"Oh yes," she said reassuringly, but there's no hurry is there?
There's only the two of us here. I thought you might like to take a
turn as my lady's maid - properly." She stepped up to me and slid one
hand across my bottom and the other up to my bust. "You know - help
me get undressed and bathed and... so on."
I looked at her sceptically. In return she did her best to look
seductive. Susie is brilliant and beautiful and I love her to bits,
but Mae West impersonations are not her strong suit. I struggled to
suppress a giggle.
"Martha doesn't do any of that for you," I said.
"No, but Martha two-point-oh could... if she played her cards right."
I hugged her to me and was moving in for a passionate kiss, when our
growing excitement was interrupted by a harsh, jagged ringing - the
front doorbell.
"Who on earth can that be?" I said.
"No idea," she said. "We're not expecting anyone, are we?"
"Could one of the Pink Ladies have forgotten something? Or maybe one
of the Transformations people?"
"Well, you'd better go and answer it, hadn't you?" I looked at her,
horrified. "Well, why not? You're the maid. You don't expect the
Countess to open her own front door, do you?"
"But I'm the Earl!"
"Not at the moment you're not. You're my maid, so go and answer the
door, Martha!"
She tried to make that sound like an order, but I didn't move.
"Oh, go on," she pleaded. "It'll be fun. Nobody will recognise you."
"I realise no one will recognise me as me, but what if it's someone
who knows Martha?"
"Then you'll just have to give the best impersonation of her that you
can. You'll be fine," she said reassuringly. "People see what they
expect to see - in your case, a housemaid answering the door."
I don't know how I let her talk me into these things. I hurried out
of the bedroom and down the stairs. I paused at a large mirror just
inside the porch. Martha the maid gazed back at me, a justifiably
worried look on her plump face, but she was unmistakably Martha.
There wasn't the slightest sign of Robert Marsham. I tucked an errant
strand of greying hair under my cap and went to open the door.
Two huge men stood, unsmiling, on the doorstep. They must have
sneaked in when the gate opened to let the Pink Ladies out. One was
the thug we had seen with Eleanor at the reading of my father's will -
her brother, Smythe had said. The other was even bigger. His aura of
menace was exacerbated by a bright red scar that ran down the right-
hand side of his face.
"What's this then?" Scarface said, when he saw my outfit. "Bloody
fancy-dress party?"
"No, it's Martha the maid, isn't it?" said the other, pushing past me.
"We're here to see the so-called Earl, love."