Actress
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Actress
by Unknown
The children sit in darkness on the floor of the cafetorium, looking intently at
the brightly lit stage before them. Hansel and Gretel walked through the
forest, ignoring the warnings of their mother and the forest animals. The
children gasped when they came upon the gingerbread cottage, and out popped
the wicked witch.. a towering figure who loomed over the lost hungry
children. The witch was a modern one.. dressed in pointy spike heels, black
stockings, a tight black leather sheath skirt with leggy slit, a leather corset,
short black cape and forties hairdo. She waved her long red nails at Hansel
and Gretel and asked, in a voice not unlike Tina Turners, "Do you want some
of my tasty candy?" The audience gasped in horror, and Bob Kemp was
happy. He had them in the palm of his hand. Bob Kemp was playing the
Witch.
It started at the auditions for this years production of Lynnfield Childrens
theatre a group that has been performing in schoools for over 6 years. Bob
was brought to the evening auditions by Nancy Shelm, who is the designer of
this years production. "We had dated a few times, and we were on our way
out to dinner when we stopped by the audition." remembers Nancy. Director
Cindy Freedman remembers the audition as being full of women. "I wanted an
over powering witch, one big enough to make our Hansel and Gretel look
small. I had considered asking a man to play it, but I doubted that we could
find one that could meet our schedule of daytime performances" recalls Cindy.
Bob could make the performances, being a self employed computer
consultant. He was cajoled into trying out. "I figured that it would be like the
witches in MacBeth.. Long gown, hat, warts, all that. It couldn't t hurt."
thought Bob.
Bob got the role and Cindy and Nancy went into a huddle. "We had concieved
of a modern design, and our which was a cross between Shemantra, a
sourceresss from the cartoons and Joan Collins." said Cindy "and we weren't
sure how to go on now that Bob had the role." A more traditonal witch was
considered, but after seeing Bob at rehearsal we thought maybe it could work.
Bob's first inkling of the real design of the part was when Nancy brought
rehersal clothes for him.. a tight skirt and heels. "I felt silly walking out in
them, but the cast was really supportive" recalls Bob. The cast members
remember Bob as quickly learning to move in the new garments.. and having
the character of thewitch start to take shape. Cindy saw it too " In heels Bob
was forced to walk seductively, and the glamour started to come though."
Nancy did a makeup test on Bob and the company was shocked when he
arrived at rehearsal in full wig andmakeup. It was clear that Bob could play the
witch in the way that it was intended.
Nancy designed the costumes. First Bob would wear 4 inch heels with
platforms to accentuate the scale difference even more. The basic garment was
a black lycra paneled leotard, with high cut legs and an internal construction to
nip his waistline. Breastforms would be glued to his skin under the strapless
leotard. The leotard was trimmed with lace. The first scene called for the
JoanCollins outfit, with padded tap pants to fill out the hipline covered by a
satin and leather skirt. Black stockings covered the tan pantyhose that were
part of the basic outfit and the bodice was a leather corset patterned after Tina
Turner's in Live Aid. A cape coveres the bare back to help hide from the
audience.
It was the second costume that was a masterpiece. Designed for the scenes
wherethe witch revealed herself and based on the cartoon sourceress, it was
wild. Using a material called celastic Nancy created a rigid breastplate, formed
for the female anatomy, colored black and decorated with gold. A short net
skirt wrapped from hipbone to hipbone to give fullness to the hips, leaving the
leotard showing in the front. Rigid armor panels hung over the skirt. A
headpiece of black and gold and high boots completed the outfit.
All that was left was to get Bob into these outfits. He had worn a dress at
rehearsal and been through the makeup test, but that could in no way have
prepared him for what was to come. In a school setting the audience was too
close, and theatrical tricks such as nude mesh would not work. The
transformation had to be complete. Nancy scheduled him into a local Hair
Salon. Bob and Nancys relationship had developed and she tried to ease him
into the coming event.
At the studio, Bob lay down for the process. The rehearsals were over, and the
fist performances were scheduled for the next Monday. Bob had rescheduled
all appointments for the week, but he had no idea how the plans would affect
his week. He lay on the chaise as they waxed his hair off his legs, chest,
arms and even bikini-line. Bob remembers this as if he was in a daze. " I had
grown to love playing the character and knew that I just had to go through
withthis. I was numb " he recalls. Long acrylic nails were attached to his own
fingernails and painted red, and his toenails were painted the same colour.
Individual false eyelashes were attached to his eyelids with semi-permanent
glue. Using a technique called hair weaving strands of longer human hair were
tied to the rooted hair on Bob's head. This would allow Bob's own hairline to
be seen in the severe hairstyles that were part of the Witches design, but to
have the volume and fullness of a womans hair. This amalgam was dyed the
hot red-gold colour that had been selected, and styled.
At the end of this process Bob no longer looked like Bob. He stood in a short
kimono looking at the long red hair, deep lashes, stoking his newly manicured
hand over his hairless body. Nancy helped him dress in jeans and go home.
Nancy had known that Bob would be unable to appear in public as man after
they got through with him, and she had prepared for this. He would stay in
her spare room. She had hung a wardrobe for him in the closet. First though
would be the final fittings of the costumes. Nancy glued the breastforms to
Bob's body using pure latex adhesive. She showed him the pink lycra G sting,
explaining how to push the testes up into their cavities and draw the penis
between the buttocks. It fit very snugly and the straps were high enough not
to give him a visible panty line. Sheer nylons.. Alive by Hanes.. came after
this, the seam cutting a vertical line across his now flat pubis. Bob stoked the
seam for a few moments, his long nails making a quiet sound as they moved
across the taut pantyhose. The constructed leotard came next.. made with a
wide band of rubberized elastic at the waist, it was even difficult to slip over
the smooth pantyhose on his hips. Bob gasped ad it was moved into
positionand bit on his waist. Nancy adjusted the lace trimmed legholes to
cover the tiny bit of scrotum that showed through the panty hose. They were
quite high cut. The top of the leotard was looped with an elastic band that kept
it over the breasts. There was a V right at the center of the top that allowed a
peek at the artificial cleavage. Bob was not allowed to look into a mirror until
the makeup was applied.
Nancy had researched thoroughly and discovered that a special flesh coloured
latex makeup had been developed for "Tootsie". This makeup created almost a
mask of rubber that completely covered beard growth and simulated the fine
pored skin of a woman. Nacy applied a thin layer to the Bob's jaw, and as it
set every trace of shadow was gone. This was blended into a sheerer
foundationto cover the rest of the face. Nancy's first thought was to use
Covermark, a very opaque makeup by Lydia O'Leary, but she was concerned
about the textural problems. Bob's hair was done.. mass of red-gold .. and
his eyelashes were long dark and curly. Nancy skilfully blended natural tones,
basically blushercolours into a layered eye look and contoured cheeks. Her
first thought of using "Instant Face Lifts" ,glue on tabs that could lift the skin,
giving more contour to the cheekbones, and an uplift to the eye and brow, had
been unnecessary. Lipstick was followed by gold gloss that picked up the gold
tones in the hair colour. Nancy was pleased with her work. The sienna-amber-
gold shades of the eyeshadows brought out the eyes and made the face work.
A touch of colour to accentuate the cleavage and a genourous dusting of gold
powder over the bare shoulders were all that was needed.
She helped Bob into the black heels and stood him up in front of a mirror. Bob
remembers the setting first. " I saw a pink bedroom with rufffles and lace in
that mirror. I slowly realized that the woman standing in front of it was me.
My legs were long and shapely ending at a cleft that made me want to touch it.
I saw the long red nails run over the shiny black fabric, touching the seam of
the pantyhose, and felt myself stir, though I was held in too tight for it to be
visible. The panels in the leotard combined with the structure to make me look
slim and curvy. My breasts were large and firm, and I was a bit embarssed to
see that the nipples were visible through the thin stretch fabric. The hair hung
over my shoulders and I could feel it move gently over by bare skin. My naked
armpits felt free and clean, but my face was changed.. I had dissapeared.I was
becoming the witch." Nancy saw the change too. "His movements started
tochange as he looked at himself and he started to preen. I saw his teeth begin
to show against the Cinnamon lipstick as his smile widened. He began to
speak and I knew that he had fallen into character. The costume had made the
actor come all the way out and Bob dissapear. He was the witch."
He wanted to try on the costumes. First went on the padded tap-pants, giving
him a full female figure. Over that went a tricot slip cut up the left leg and
trimmed with lace and a glove leather skirt with a matching slit. A leather corset
top went on top, laced tightly in front. The look was devastating. The clothing
was made to fit, made to scale, and Nolan Miller would have been proud. Bob
was into it now.. he started complaining about the look not being finished, and
Nancy pulled out the black stockings to be worn over the tan ones.
After the final fitting of the costumes, Bob and Nancy headed home to her
apartment. Bob wore a gray plaid skirt and white sweater Nancy had brought
to the theater for him. He still had the breast forms and constructed leotard.
As they neared her apartment, Nancy bumped into Fred, her next door
neighbor. She introduced Bob as her friend Bobbie from out of town. Fred
smiled and looked Bob/Bobbie up and down. He invited them to join him for
dinner, and offered to fix Bobbie up with his friend Steve. Nancy, while
tempted to accept, declined saying Bobbie was suffering from jet lag.
Once safe inside Nancy's apartment, Bob breathed a heavy sigh of relief. "It
was really odd to have him look at me that way..." Bob said, "with a sense of
sexual attraction...it was also exciting in an odd sort of way. I may get to like
this!" Nancy led him into the spare room where she had prepared an entire
wardrobe for him. She showed him the dresses, the skirts, the
jumpsuits...Nancy had really gotten carried away shopping. After Bob had
seen all his clothes (and had lingered over the lingerie), Nancy helped him get
undressed. Much to her surprise, he decided to leave on the breast forms and
Gstring, and put on one of Nancy's robes. He said, "I have to develop the
character some more...".
The opening night performance was a great success. Someone passed a dozen
red roses to Bob during the curtain call. After the performance, the cast went
outto a local pub for a celebration. Bob, of course, went as Bobbie.
end
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