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Sweet P. presents a Big Top Entertainment production WELCOME TO BIG BORE A SCREENPLAY by Bobbie Bazooms CAST: Enorma Stitts: Natalie Thompson Heluv Stitts: Charles Thompson Hehaz Stitts: Allen Thompson Duchess Diana Delight: Linda Benton Mayor Twatbuster: Buck Harden Studs: Bruce Nichols Sheriff Rammer: Eric Courtland Blow Job Annie: Deep Throat Doris Buns: Judy Bray Greaser: Gregg Barnhart Donkey: Bull Pryor Big Gay Dick as Himself The Alien: ? And: Bobbie Benton as Candy Kane (Generic 1960's rock and roll is heard over a black screen. Opening =BLACK & WHITE= shot fades in on and follows an antique 1960's Chevrolet 4-door speeding down a bleak desert, two lane blacktop highway as the music continues. The scene cuts to a still camera shot from the side of the road as the Chevy approaches and then roars past leaving dust and dry vegetation in a cloud. There is a quick cut to the inside of the Chevrolet as if looking in from the windshield. The music is louder and begins to be interspersed with static.) (ENORMA STITTS is a petite redhead with a gigantic bust. She is sitting in the passenger seat wearing typically modest period clothing except for a plunging neckline. An extreme amount of wobbling cleavage is bared. Her shoulder length hair and moderate makeup are done in early 1960's style. She wears long false eyelashes. She appears to be agitated and fumbling with the radio knobs on the dashboard. HELUV STITTS is driving the automobile. His befuddled focus shifts from the road to his wife's cleavage. HEHAZ STITTS sits in the backseat playing with a toy flying saucer. He can be seen in between his parents. He has his mother's blue eyes and red hair. He is fifteen years old, but his small stature, baby face, and mannerisms cause him to seem younger. The teen makes zooming noises with his mouth as he plays with his toy flying saucer. Both male occupants wear 'Ozzie Nelson/Leave It To Beaver' period clothing and hair styles.) ENORMA: This radio is really ticking me off. I found the station. But, this radio can't get it up. (cuts her eyes to her husband) It reminds me of someone I know... (Heluv looks terrified, shocked, and embarrassed by his wife's last statement. He whips his head back and forth between the road and his son. When he surmises that Hehaz is oblivious to her comment and still playing with the flying saucer, Heluv returns his attention forward. Heluv is distracted by Enorma's cleavage and talks to her breasts while attempting to drive. His eyes dart back and forth from his wife's chest to the road. Heluv does not want his son to know of his sexual shortcomings and tries to quell his wife's jesting . Heluv whispers.) HELUV: Enorma! Don't say things like that with... (Heluv nods towards Hehaz.) HELUV: around. (Enorma glances back at their son. Then, she looks and giggles at Heluv. Her eyes grow less playful and more seductive. Enorma smiles haughtily and turns her massive breasts directly towards her husband. She purrs teasingly and seductively to Heluv.) ENORMA: Well... Seeing as how somebody's been such a good boy lately... Getting a big promotion and buying that big new house... (Enorma thrusts her giant chest out. Heluv's eyes bulge as they now stare completely at her breasts.) ENORMA: Maybe, somebody will get to play with my big beautiful knockers tonight. (Enorma looks down at her bosoms and presses them further inwards with the back of her hands.) HELUV: Oh, Enorma! Enorma! (Enorma glances up at her husband and smiles with a coy, closed mouth. She is self-satisfied at the attention. Then, her eyes turn forward and grow wide with horror.) ENORMA: Heluv! (Cut to an outside shot of the car swerving and almost colliding with an oncoming vehicle. The oncoming vehicle swerves and honks. Cut back to interior. Heluv is frantically trying to bring car aright. Enorma looks at him haughtily.) ENORMA: Having troubling watching the road, dear? HELUV: Well, I-I-I (Hehaz whines from backseat.) HEHAZ: When are we going to be there? Space Master 2000 comes on at 4 o'clock! ENORMA: Well if it wasn't for your father forgetting his briefcase, you could have watched your show, cutie. But since we had to turn around and go back for it, we won't be at our new house until after 6. (Hehaz pouts and whines.) HEHAZ: After 6! Dad! You're gonna make me miss my show! (Heluv pleads and grovels.) HELUV: I'm sorry, Hehaz. Really, son, don't be mad. I'll make it up to you. I'll buy you a nice toy. (Hehaz rants like a spoiled brat.) HEHAZ: I want a laser gun! You promised! If I miss my show, I want a new laser gun! HELUV: Of course, Hehaz. I promise. Anything you want. Nothing's too good for my son! (The scene cuts to an outside shot of the Chevy coming towards the camera. The camera follows the car as it rolls past a dilapidated sign. The Chevy continues out of frame. The camera remains focused on the sign. It reads WELCOME TO BIG BORE.) (Cut back to an interior shot of the car as radiator smoke billows from out of frame. There is great agitation from the automobile's occupants.) ENORMA: Heluv! What's the matter now? HELUV: I don't know, Enorma. It looks like the radiator. ENORMA: Wonderful. HEHAZ: I'm gonna miss my show! HELUV: Hey look! There's a town up ahead. We'll stop there and see if there's a service station with a mechanic. If we can make it. (Patting dashboard with one hand and admonishing.) Come on ol' Betsy! Come on, girl! (Cut to an outside shot of the car approaching slowly down the highway. Smoke pours out from under the hood. Buildings now line the highway. The car has entered a small town business district. One sign stands out on the boulevard. It reads STUD'S SERVICE in big bold black letters and below, in barely legible script writing, reads STATION. The Chevrolet pulls into the service station lot passing a couple of gas 1960's style gas pumps. A group of teenage 'hoods' are hanging out beside the building as the car rolls past still billowing smoke from the radiator.) (The scene cuts to a shot looking into the Chevrolet from the driver's side window as the car comes to a stop in front of two service bays with open garage doors.) HELUV: Alright. You two just sit tight. I'll talk to the mechanic. Maybe we can get this fixed in a hurry and be there by seven. HEHAZ: SEVEN! ENORMA: I thought you said you had everything checked BEFORE we left. HELUV: I did! I did! I don't know what happened. I got it checked. I promise. ENORMA: Well, don't take all day! This little trip has already taken a lot longer than it needed to. (The scene cuts to a more distant outside shot of the driver's side of the car as a befuddled Heluv exits the vehicle. He tries to straighten his clothing and adopt an air of confidence. The camera follows Heluv as he enters the service bay.) (Scene cuts to an interior shot of the service bay looking out the open garage door. The passenger side of the Chevy can seen from inside the garage, but only partially. Enorma appears to be talking to Hehaz. The camera focuses on the approaching Heluv. A period car with the hood open and STUDS the grease covered mechanic working underneath the hood are all partially in frame. Heluv approaches and stops at the mechanic. A news bulletin can be heard coming from a transistor radio.) NEWS ANNOUNCER: And, there is still no explanation for the strange and mysterious lights sighted recently in the skies above Big Bore... Nor can Sheriff Rammer come up with any plausible way to explain how Ida Nonuttin's prize pig ended up in her husband's hen house making amorous advances towards his chickens... (Cut to a tight shot framing both Heluv and Studs, the mechanic. Heluv is at partial profile. The mechanic has his back to the camera. Stud's face can only be seen in profile as he says his lines before ducking back under the hood. The news bulletin gives way to generic period rock and roll.) HELUV: Ahem. Ahem. Excuse me. STUDS: Yeah, whadya want here, buddy? I'm busy. HELUV: Um, I-I. Um, I seem to be having a little trouble with my radiator. STUDS: Radiator's cost money. You got cash? You got enough cash to pay me? (Heluv is panicky over the mechanic's gruff behavior.) HELUV: Well... Well, of course I've got cash. I wouldn't ask you if I didn't have enough cash. I mean... What kind of person would do such a thing? Of course, I have money. (The tight camera shot continues as Studs stands upright and looks past Heluv. The shot then returns to the camera looking out of the garage at the Chevy passenger side. Both Heluv and Studs can be seen in partially in frame.) STUDS: Is that yours outside? The Chevy? HELUV: Yes. That's it. (Scene switches to an outside shot of the passenger side of the Chevy. Enorma opens her car door and puts both feet outside of the vehicle. She smoothes her skirt. She stands and inhales, lifting her hands high overhead and arching her back. Her breasts jut out tremendously.) (The scene then returns to the interior of the garage the camera is looking over the two men and out at Enorma.) STUDS: You got cash to pay me? HELUV: Of course. (Studs cranes his neck to get a better look at Enorma. He hungrily leers at her.) STUDS: Maybe, we can work something else out... (Scene returns to the outside shot of the passenger side of the car. Enorma opens the rear passenger door for Hehaz. Hehaz exit's the vehicle still holding his toy flying saucer. Enorma looks in the distance at a diner across the street.) ENORMA: Alright, cutie. You just stay here. I'll tell Daddy that we're going to walk over to the diner. HEHAZ: Okay, Momma. (Scene remains outside. Camera cuts to a shot towards the garage over Enorma's shoulder. In frame are a group of teenage 'hoods' wearing period hairstyles and clothing- white t-shirts and cuffed blue jeans. Enorma walks past them with her hips swinging. DONKEY, a member of the 'hoods' wolf-whistles at Enorma and draws laughter from the group.) (Cut to a shot of Enorma walking towards camera with the group of hoods in side frame. She gives them a long smile then proceeds into the garage with her hips swinging more exaggeratedly. The group of hoods roars with approving hoots and laughter.) (Cut to a shot of the boy, Hehaz, watching Enorma walking away and the group of hoods ogling her. A look of frustration and jealousy is on Hehaz' face as he looks back and forth from the hoods to his mother. One of the hoods spots the boy and cries out.) DONKEY: Hey, Kid! Take me to your leader! (The group of hoods roars with derisive hoots and laughter. Hehaz looks away pouting.) (Cut to an inside shot of the garage interior. Heluv and Studs are in frame. Enorma comes walking into frame. Studs cannot take his eyes off of Enorma's abundant cleavage and grins maniacally. Heluv looks uncomfortable and flustered.) ENORMA: Heluv... Hehaz and I want to walk across the street to the diner. We're hungry and want to see what all they have to eat. And, we both need to use the restroom. HELUV: Well, okay, honey. I, uh, I... STUDS: Darlin' you can sit on my fac- I mean, sit on my toilet seats anytime you want. And, I already see me somethin' I wanna eat! (Enorma sticks out her chests and lowers her smiling face.) ENORMA: I just bet you do... (Enorma and Studs smile at each other as Heluv looks on uncomfortably.) HELUV: Uh, well... Uh... Why don't I, uh, walk over with you and, uh, we'll, uh... All three of us can grab a bite to eat. (Heluv addresses Studs.) HELUV: Can I check back with you in about an hour? (Studs never takes his eyes off of Enorma. Both are smiling at each other.) STUDS: Sure, buddy. An hour. Check back in an hour. (Studs speaks to Enorma. He drawls lasciviously.) STUDS: Of course, you can check back with me anytime. Anytime you want. (Enorma waves her chest back and forth. She reads the mechanic's nametag.) ENORMA: I'll have to do that... Studs! (Studs takes her hand. Enorma gives it easily.) STUDS: Pleasure to make your acquaintance... ENORMA: Enorma. Enorma Stitts. Same here. (Heluv ushers Enorma away.) HELUV: Alright then. One hour. C'mon, honey. (Cut to an outside shot of the service station parking lot. Heluv and Enorma approach the camera. Heluv is frantically hustling Enorma out the garage door.) ENORMA: Heluv slow down. You're hurting my arm! HELUV: I-I'm sorry, honey. (Switch to a wider outside shot of the service station parking lot framing the couple their son, Hehaz, and the hoods. The hoods hoot and laugh at Enorma's jiggling chest as Heluv rushes her past. Enorma smiles over her shoulder back at the group as Heluv gathers a frustrated Hehaz and all three hurry out of frame.) (Scene switches to an interior shot of the diner. Loud generic period rock and roll blares from a transistor radio. The face of BUNS, the red-haired diner waitress, can be seen in the corner of the scene. Her head and shoulders are in motion as if she is dancing. The rest of the frame takes in the entrance to the diner and large windows overlooking the service station and the approaching Stitts family.) (The Stitts family enters the diner.) BUNS: (shouting) I'll be with you in a moment. (Heluv waves at the waitress and gives a congenial smile as Enorma and Hehaz look for seats.) HELUV: Take your time. (Heluv looks confused over the waitress' bizarre movements.) (Quick cut to the kitchen/grill area of the diner. The shot is of the waitress with her skirt hiked up, exposing her naked ass, and GREASER, the diner cook, with his pants and boxers down around his ankles. The cook is buttfucking the waitress vigorously.) (Cut back to the Stitts family now seated at a booth beside the large windows. The entire family is framed as is the underneath of the table. Hehaz sits next to the windows. His toy flying saucer lies on the table in front of him. Enorma sits on the outside of the booth beside her son. Heluv sits opposite them. Hehaz looks glum. Enorma looks pleased. Heluv still seems nervous and preoccupied with Enorma's bust.) HEHAZ: I'm missing my show! (Heluv tears his eyes from Enorma's bust. He glances now and then at her breasts as he talks.) HELUV: C'mon, Hehaz. They'll rerun your show in no time. It's not like you're really going to miss it. HEHAZ: But, everybody else will get to see it new! I'll have to wait forever! All the way to summer or something! (Heluv looks nervously around the diner which the family has to themselves.) HELUV: Shhh. Okay. Okay. I saw a five and dime store down the street. We'll walk down there after we're done eating and see if they have any toy laser guns... HEHAZ: A laser gun! Yippee! HELUV: I said we'll SEE if they have a laser gun. (Enorma grabs at the bra hooks on her back and sticks out her abundant cleavage.) ENORMA: I need to get out of this bra. I wonder if they have any down at that five and dime in my size? (Heluv and Hehaz both gawk at Enorma's chest.) ENORMA: I can't ever seem to find any good bras big enough to hold my boobs. (Beneath the table Heluv begins clawing at his groin. His eyes bulge.) HELUV: Oh, Enorma! (Hehaz frowns and looks angry. He looks back-and-forth from his father's face to his mother's breasts. The voice of a waitress interrupts the scene.) BUNS: And, what can I get you all to drink? (The camera shot switches to look from across the table at the waitress from the direction of the exterior windows. The heads of the Stitts family are in frame. The waitress leans over the table. She is busy placing menus in front of the Stitts family. A tight shot of her nametag reading 'Buns.' A tight shot of the boy Hehaz' face reading nametag and gulping hard. The shot then returns to the angle framing the entire family as the waitress stands upright.) ENORMA: I'll have a sweetened ice tea. HELUV: Coffee for me, thank you. With cream and sugar. Hehaz? (Hehaz seems to wake up as if from sleep. Hehaz speaks vacantly.) HEHAZ: I want a root beer. BUNS: Sweet Tea. Coffee cream and sugar. Root beer. Got it. I'll give you all some time to look at the menus. (The scene cuts to a shot of the waitress walking away from the table. The Stitts family is partially framed. The waitress is walking like someone who just got buttfucked. Her short waitress skirt is stretched tight across her abnormally protruding ass. The skirt is way too small. The naked undersides of her buttocks hang out from below her hemline. Enorma and Heluv are oblivious. Both the adults are busy looking at menus. Hehaz sits up in the booth and follows the waitress' ass with a pained, jealous look.) (A tight shot of a clock on the diner wall. The clock grows blurry at the time of 4:45 and returns to sharp focus at the time of 5:30. The scene cuts back to the initial camera angle of the Stitts family seated at their booth. Dishes are scattered before them containing eaten food scraps. Heluv looks at his watch.) HELUV: I guess I better go ahead and take care of this check. We need to hurry if we're going down to that five and dime store. ENORMA: That food was delicious. HEHAZ: I'll say. It really hit the spot! (Heluv picks the check up from the table and holds it high.) HELUV: Waitress? (Scene cuts to the initial shot of the diner's interior with the waitress' head and shoulders in frame. She is doing funny dancing-like motions again. Stitts family sits at their booth in the opposite corner of the shot.) BUNS: You wanna go ahead and take care of that? HELUV: Yes. We need to be going. BUNS: Alright. One sec. (Quick cut to the grill area of the diner. The shot is of Buns with her skirt hiked up again exposing her ass and Greaser the cook with his lower garments down around his ankles. Greaser is buttfucking the waitress vigorously. Buns turns head and whispers pleadingly.) BUNS: Cut that out, Greaser. You're gonna fuck up my tip! (The cook pulls his erect penis out of the waitress' asshole. She grabs a white cloth from side frame and wipes her pussy and buttcrack. She then returns the white cloth to side frame. Buns lowers her skirt and exits frame. Greaser pulls up and fastens his pants. Then, he puts on the white cloth/apron that the waitress just wiped her crack with.) (Scene switches to a distant outside shot of the exterior of the diner entrance/exit from across the boulevard. In the lower corner of the frame is the light assembly of a police squad car. The diner is in the opposite upper corner of the frame. The back of two men's heads are in center frame. One of the men, SHERIFF RAMMER, wears a police officer's hat and badge and uniform. The other, MAYOR TWATBUSTER, wears a suit. The Stitts family is seen exiting the diner.) (Quick cut to a tight shot of the men standing at the driver's side of the squad car. The suited man is standing up straight. The police officer leans against his squad car. The officer wears dark aviator frame sunglasses and chews on a toothpick.) MAYOR TWATBUSTER: Damn. Would you get a load of the jugs on that one. Who's the new talent? SHERIFF RAMMER: Out-of-towners. Had some car trouble passin' through. Studs is takin' a look at their car now. He says that redhead is a horny little piece. Says she's hot to trot and don't care if hubby knows or not. MAYOR TWATBUSTER: What's wrong with their car? SHERIFF RAMMER: Studs says it's a busted radiator hose. MAYOR TWATBUSTER: Not anymore it's not. (The suited man continues to stare as if looking across the street. He turns side profile and exit's the frame. The sheriff remains in frame. A knowing smile grows on his face. The screen fades to black.) (Fade in to a tight shot of two vanilla fudgesicles with tongues licking and sucking them seductively. The camera pans out to Enorma and Hehaz sitting side-by-side and close together while facing each other on a bench in front of the service station. Both are barefoot and nonchalantly licking and sucking fudgesicles as if giving blow-jobs. Hehaz holds a new toy laser pistol. His toy flying saucer lays behind him.) (There is a sudden quick cut to a tight shot of the gang of hoods spying from around the corner of the service station. They have horny leering looks on their faces. The implication is obvious. They are enjoying the scene of Enorma and Hehaz eating their fudgesicles.) (Quick cut to shot of Enorma and Hehaz licking and sucking fudgesicles.) (Quick cut to tighter shot of the hoods' faces horny and leering.) (Quick cut to tighter shot of both mouths licking and sucking fudgesicles.) (Quick cut to tight shot of horny and leering faces of hoods.) (Quick cut to tighter shot of Enorma's mouth sucking her fudgesicle.) (Quick cut to tight shot of horny and leering faces of hoods.) (Quick cut to tighter shot of Hehaz' mouth sucking his fudgesicle.) (Quick cut to tight shot of horny and leering faces of hoods.) (Quick cut to tight shot of Enorma's bare feet.) (Quick cut to tight shot of Enorma's mouth sucking fudgesicle.) (Quick cut to tight shot of faces of horny and leering hoods.) (Quick cut to tight shot of Hehaz' bare feet.) (Quick cut to tight shot of Hehaz' mouth sucking fudgesicle.) (Quick cut to faces of horny and leering faces of hoods.) (Wider shot of Enorma and Hehaz sitting and sucking fudgesicles. Heluv walks into frame. Cut to shot of hoods laughing and dispersing with glee. Tight shot on Heluv's face as he looks back and forth from his family to the hoods. He is nervous and flustered by the scene.) HELUV: Um... I um... I-I've got some bad news to report. ENORMA: What is it now? (Heluv compulsively glances at Enorma's breasts as he talks.) HELUV: That mechanic says there's a crack in our engine block. He says the whole motor will have to be replaced. It looks like we're going to have to stay here for a couple of nights until he can get the work done. (Enorma and Hehaz react with frustration.) HEHAZ: A couple of nights! ENORMA: Oh, Heluv. There's got to be another way. Isn't there a bus leaving out of here this evening? HELUV: I asked about that. But, the mechanic says the nearest bus station is about fifty miles further up the road. ENORMA: Wonderful. HELUV: But, he's says there's a great little motel just a few blocks down the road. And, the rates are cheap. We can go ahead and stay one night and try to get someone from my new company to come pick us up tomorrow. ENORMA: I'm not staying in some flea infested rat trap. HEHAZ: They better have a TV! HELUV: Alright. Alright. Let's just go have a look at the place. If we don't like it we'll try and think of something else. ENORMA: If you could think of something else, you never would have gotten us into this mess in the first place. (Enorma and Hehaz rise to their feet as the shot fades to black.) (Fade in to a shot of the parking lot of a cheap motel. A sign in the foreground reads TRIPLE-D MOTEL.) (Quick cut to a tight shot of DUCHESS DIANA DELIGHT's giant cleavage with a phone cord draped between her bosoms. Her voice is heard speaking.) DDD: And, they're coming down now? (pause) (The scene cuts to a shot of Duchess Diana Delight's daughter, CANDY KANE, a young scantily clad brunette seated upon a high stool with a backrest. The girl is sixteen years old, but her baby face, small stature, and mannerisms make her seem younger. She wears moderate makeup with long false eyelashes. The girl is leaning back, bored and completely apathetic. Her bust is gigantic. Her breasts are the largest of all the females. Her cleavage spills over the neckline of a black tank top that is incredibly tight. Her wide bra straps are clearly visible from under the much smaller shoulder straps of her tank tops. Her bare legs are exposed by black pair of outrageously small shorts. One of her bare feet is on a rung of the stool. The other bare foot is dangling in the air and bobs occasionally. Her dark hair is in twin 'dog ear' ponytails on the sides of her head. She is sucking a candy cane as if giving a blow-job. From out of her frame, her mother's voice can be heard.) DDD: Of course, darling. I'll put them in the LUXURY suite... (pause) (Quick cut to tight shot of DDD's cleavage with the phone cord nestled in between.) DDD: Yes, you can get your jollies all you want, my horny little monkey. (pause) (Quick cut to Candy Kane.) DDD: Mmm. I can't wait, lover... (pause) (Quick cut to tight shot of DDD's cleavage with the phone cord nestled in between.) DDD: Good-bye, for now. (Quick cut to a tight camera shot of a bell tinkling at the top of an opening door.) (Wide shot of the interior of the motel office. The Stitts family is in frame. The motel registration desk is in frame. DDD is standing behind the desk hanging up the telephone. She wears a period go-go type outfit with short-shorts, a plunging neckline, and go-go boots. Her period style makeup is heavy and her long false eyelashes are caked with black mascara. Her long dark hair is pulled back, affixed at her crown and cascades down her back. Candy Kane is still seated beside her upon the stool. DDD shoves her bust forward.) (Quick tight shot of Heluv's eyes bulging.) (Quick tight shot of Candy Kane.) (Quick tight shot of Heluv's eyes bulging.) (Quick tight shot of DDD shoving her bust forward.) (Quick tight shot of Heluv's eyes bulging.) (Back to the wide shot of the motel office. Everyone is framed. Heluv's eyes bulge. Hehaz looks pained. The boy bites his lower lip and continually glances towards and then away from the two new busts. Enorma purses her lips and glares at Heluv. DDD smiles seductively. Candy Kane looks on apathetically, distracted by her candy cane.) DDD: I'm the Duchess. Duchess Diana Delight. May I help you? HELUV: We... Uh... W-w-well... W-w-w-we... (Enorma interrupts, noticeably annoyed.) ENORMA: We need a room for the night. DDD: Just the three of you? ENORMA: Yes. Three. DDD: For one night... ENORMA: Maybe two. We'll have to see. DDD: That will be fine. I have just the room for you. Room 18. (Quick cut to tight shot of Hehaz' eyes.) (Quick cut to tight shot of Candy Kane's bust.) (Quick cut to tight shot of Hehaz' chest.) (Quick cut to tight shot of Hehaz' eyes distressed.) (Quick cut to tight shot of Candy Kane's bust.) (Quick cut to tight shot of Hehaz' chest.) (Quick cut to tight shot of Hehaz' eyes distressed.) (Quick cut to tight shot of Candy Kane's bust.) (Quick cut to tight shot of Hehaz' chest.) (Quick cut to tight shot of Candy Kane's bust.) (Quick cut to tight shot of Hehaz' chest.) (Quick cut to tight shot of Candy Kane's bust.) (Quick cut to tight shot of Hehaz' eyes distressed.) (Shot of motel interior. All in frame. Hehaz looks terribly upset and stares at his chest. DDD reaches into the desk and pulls out a room key. A plastic tag bearing the numeral 18 is attached to the key.) DDD: It's our luxury suite. The finest room in our motel. ENORMA: That will be fine. DDD: And, what did you say you're name was, sir? (Heluv stammers unable to talk because of the giant breasts all around.) ELUV: Helu- Helu- Helu- ENORMA: Heluv Stitts. (DDD smiles at the nearly catatonic Heluv.) DDD: Obviously. (DDD hands an irritated Enorma the room key.) DDD: It's just down the sidewalk to your right. The doors are numbered. I'm sure you'll find it. ENORMA: We'll be fine. (She grabs Heluv by the arm and drags the gaping man out of frame. She speaks with irritation in her voice.) ENORMA: Come along, DARLING. (Hehaz follows them out of frame. He is glancing back-and-forth from his chest to Candy Kane's. He is obviously distressed.) (Shot closes in on DDD and Candy Kane until they are in frame upper body.) DDD: Well. They seem like a nice family. CANDY KANE: Mmm. Whatever. DDD: I think they are going to enjoy their stay here in Big Bore. CANDY KANE: (coy and childlike) Momma... DDD: Hmm? CANDY KANE: You know what that man reminded me of? DDD: What's that, Candy? CANDY KANE: He reminded me of a monkey. A horny little monkey. (Scene switches to a wide outdoor shot of the Big Bore sky at night. The Triple-D motel is in the lower frame at a distance. High in the sky is a glowing light that drops down to hover over the Triple-D motel before shooting across the sky and out of frame.) (Scene switches to a shot of the desert floor with tumbleweed and dry vegetation all around. An early 1960's period style glowing Flying Saucer that looks exactly like Hehaz' toy drops into frame and lands on the desert floor. Dust swirls all around. Beeps and whistles are heard. The Flying Saucer settles. A humming noise can be heard as a door opens on the Flying Saucer and a ramp descends. THE ALIEN with a large head, huge slanted black eyes, and a small body emerges from the Flying Saucer. He appears to be wearing a shiny silver space suit. The Alien walks down the ramp, steps onto the desert floor, and looks all around. He then walks out of frame in the direction of the Triple-D motel.) (Scene switches to an interior shot of a Triple-D motel bathroom. Enorma is topless wearing only early 1960's period style panties and brushing her hair while looking into a large mirror upon the wall. The pleading voice of Heluv can be heard coming from outside of the closed bathroom door.) HELUV: Come on, Enorma! Just let me touch them. I'll do it quick. I promise. You won't have to do anything. You won't have to do anything at all. Just let me touch them. Please, honey. (Cut to Heluv standing outside of the closed bathroom door. He is highly distressed and wearing period style pajamas.) HELUV: Well, can I just look at them, honey. Please, Enorma. I won't touch them. I promise. Just let me have a really quick look at those big beautiful knockers! Baby, please! (Cut to shot of Enorma hoisting her huge naked breasts and admiring them in the mirror.) ENORMA: I don't think you've been a good enough boy to see my big knockers. First, you drag me out in the desert. And then you get me stuck in a cheap motel. (Enorma shakes her giant breasts at the mirror.) ENORMA: No. You don't deserve to see my huge hooters. Nope. No siree. You don't deserve to see them at all. (The camera zooms in on a black spot on the mirror. The screen fades to black as it appears to enter the spot. The screen opens up to an eye on the other side of the black spot. The eye is peering through a hole behind the mirror. The shot widens to reveal Studs jerking his penis feverishly to the sight of Enorma's topless tits on the other side of the wall. Enorma's voice can be heard from out of frame.) ENORMA: No. Only real men deserve to see a great pair of knockers like these. (Camera cuts back and lingers on STUDS gratifying himself at the show.) (Scene cuts to Hehaz and Candy Kane walking together on the sidewalk adjacent to a line of rooms at the Triple-D motel. Candy Kane is away from the rooms on outside of Hehaz. A dolly camera shot stays with the two teens as they walk.) HEHAZ: So what do you do for fun around here? CANDY KANE: Fun. There's a reason they call this place Big Bore. Cuz it's such a BIG BORE. The only thing to do for fun around here is fuck. HEHAZ: Fuck?! (Hehaz looks around frantically as if for his parents.) HEHAZ: You fuck? You're not old enough to fuck. You're barely older than me! CANDY KANE: Did you not get a load of these? (Candy Kane hoists her mammoth breasts with her hands. Hehaz stares at them stunned.) CANDY KANE: You can't have a pair of tits this big around here and not get fucked. I don't care how old you are. (Scene cuts to a shot of The Alien skulking and peering around the corner of the motel watching and eavesdropping on the conversation.) CANDY KANE: Hey you wanna meet my boyfriend? His name's Donkey. He and the Red Dogs all hang out at the railroad tracks. Down by the trestle. You wanna go down there with me? HEHAZ: Now? CANDY KANE: Of course, now. When did you think I was meanin'? HEHAZ: I don't know. I don't think I better. My parents'll be looking for me and I don't wanna get in trouble. CANDY KANE: Oh, bullshit. You're parents'll be glad you're gone. You know they're in there right now fuckin'. As big as your mom's tits are. And, your daddy is a horny little monkey. (Hehaz looks over his shoulder towards the Stitts family's motel room.) HEHAZ: Well... I guess it'll be alright. As long as we make it back here before it gets too late... (Candy Kane grabs Hehaz by the arm and begins pulling him out of frame.) CANDY KANE: Sure. Yeah. Whatever. C'mon. I'll show you why they call him Donkey. (Cut shot back to The Alien lifting his arm and pressing some buttons on a wristband. The Alien disappears with a period style visual and audio vanishing effect. Fade to black.) (Fade in to a shot of a remote desert area with train tracks running through and a trestle over a deep gulch. Ten hoods known as 'Red Dogs' drink long neck beers. They laugh and joke. Some smoke cigarettes. Three or four girls wearing sexy period clothing- tight sweaters and short skirts- sit amongst the boys. Each of the girls is coupled with a boy.) (Candy Kane and Hehaz approach from side of frame at a short distance.) (Donkey sees Candy Kane and becomes excited.) DONKEY: Well, well, well. Look at what we got walkin' up here fellas! Check out the bazooms on that one! (Candy Kane and Hehaz walk up into the pack of Red Dogs. Candy Kane throws her arms around Donkey.) CANDY KANE: Yeah, check out the bazooms on this one, lover! (The two kiss. Hehaz looks shocked. One of the Red Dogs, BIG GAY DICK, ambles up to the kissing couple. He smiles at Hehaz. His mannerisms are exaggeratedly macho/effeminate.) BGD: Who's your little friend, Candy Kane? Are you going to introduce him to us? Or are you just going to kiss Donkey all night and be rude? (Candy Kane stops kissing and snuggles up into Donkey's grip.) CANDY KANE: I'm going to kiss a part of Donkey all night, Big Gay Dick! (Red Dogs hoot and holler all around.) CANDY KANE: But, I'm not going to be rude. Especially, since I think you and this little cutie will get along just fine. His name is Hehaz. He and his parents are staying at the Triple-D tonight. BGD: Just for tonight? My, my, my. That doesn't give us enough time to get to know him. And, he sure is a little cutie. Hehaz? I bet they call him Hehaz cuz he has the cutest little face I've ever seen. (Hehaz looks puzzled and taken aback by the obviously homosexual Big Gay DICK. BGD offers his right hand to Hehaz with the palm up.) BGD: Hi, there. My name is Dick. But everybody calls me Big Gay Dick. You know why that is? (Hehaz takes BGD's hand and BGD holds Hehaz' hand palm down- like a gentleman would take a ladies hand. Hehaz looks at BGD blankly and shakes his head.) BGD: Cuz, I'm gay. And, I've got a really big dick. Big Gay Dick! Get It? (Hehaz' eyes grow wider. He bites his lower lip. He animatedly nods his head 'yes.') DONKEY: I think he'd like to GET IT! (Red Dogs hoot and laugh all around.) DONKEY: I think you've made yourself a friend there, Dick. (Candy Kane looks at and talks to Donkey.) CANDY KANE: (coy and childlike) Those two are looking at each other like monkeys. Like horny little monkeys. (Quick cut shot to The Alien skulking and eavesdropping underneath the train trestle.) (The scene switches by quick cutting to a shot of one of the motel's bedrooms. Studs is naked and lying on his back. Duchess Diana Delight is naked on top of him, enthusiastically riding his erect penis. Her giant breasts flop all around. The bed springs sound like an earthquake.) (Quick cut to the bedroom of room #18. Enorma is clothed in a nightgown laying in one of the rooms beds and sleeping soundly. Heluv is in his pajamas in the other bed, staring at the ceiling. He sits up and looks over at Enorma. He pounds his pillow in frustration and lays back down in a huff.) (Quick cut to the scene by the train tracks. Camera shot is of four persons. Candy Kane is naked on all fours. Donkey is naked behind her fucking her pussy from behind. Big Gay Dick and Hehaz look on.) (Tight shot on BGD's lust-filled eyes.) (Tight shot of Donkey's penis going in-and-out of Candy Kane.) (Tight shot on BGD's lust-filled eyes.) (Tight shot on Hehaz' bewildered face.) (Tight shot on Candy Kane's wobbling breasts.) (Tight shot on Hehaz' chest.) (Tight shot on Candy Kane's wobbling breasts.) (Tight shot on Hehaz' troubled face.) (Tight shot on Donkey's dick going in-and-out of Candy Kane.) (Tight shot of BGD's lust-filled eyes.) (Tight shot of Donkey's penis going in-and-out of Candy Kane.) (Tight shot on Hehaz' ass.) (Tight shot on BGD's eyes.) (Tight shot of BGD's hand coming into frame and cupping Hehaz' ass.) (Tight shot on Hehaz' face startled.) (Tight shot on Candy Kane's tits.) (Tight shot on Hehaz' chest.) (Tight shot on Candy Kane's tits.) (Tight shot on Hehaz' eyes.) (Tight shot of BGD's mouth smiling.) (Tight shot of Donkey's penis going in-and-out of Candy Kane.) (Tight shot of BGD's hand squeezing Hehaz' ass.) (Cut to a shot of The Alien hiding underneath the train trestle and spying on the scene.) (Screen fades to black.) (Screen opens to a daylight shot of the highway at ankle height. The camera looks across the highway at a building in the desert. The building has sign that reads BIG BORE SHERIFF.) (An electric guitar with a fuzz effect stabs into the ears as the high- heeled foot of BLOW JOB ANNIE shoots into frame from above. A second stab of fuzz guitar as her second foot shoots into frame. The guitar begins a slow grinding riff as her high-heels begin walking sexily across the highway away from the camera to reveal the woman's extremely long legs. The camera cuts away before the woman walks enough distance to reveal her upper torso.) (Quick cut to Sheriff Rammer standing outside of his sheriff's station. He is leaning on the hood of a patrol car and talking to someone on a two-way radio.) SHERIFF RAMMER: Well, that don't make a shit. The mayor'll make a first rate slut out that big-tittied fucker. You wait and see. (Cut to a shot of the front of the high-heeled woman walking. The camera is a dolly shot and follows her from the bust down. Her face is still unseen. Her hair is long and red. The woman wears a waitress uniform from the diner.) (A tight shot on her nametag reads 'Annie.') (Cut to a shot from over the shoulder of Sheriff Rammer out onto the desert.) (Cut to a tight shot of those high heels walking and then coming to sudden stop.) (Cut back to the shot from over the shoulder of Sheriff Rammer. The beautiful face of Blow Job Annie is seen for first time. She smiles seductively at the sheriff.) BJA: You wanted to see me? SHERIFF RAMMER: (to the person on the other end of the two-way radio) Look I got to go. Holler at you later. Over. (He tosses the handset into his patrol car.) SHERIFF RAMMER: Hello, Annie. (Shot from low focused on the legs of Sheriff Rammer and BJA. BJA drops to her knees. Her full body comes into frame. She loosens the sheriff's belt and unzips his pants.) BJA: Are you feeling a little tense today, Sheriff? A little stiff? (She pulls the sheriff's large erect penis from his boxers. She lovingly caresses it with her hands.) BJA: I can tell you're tense. You're all hard. (She kisses the sheriff's erection tenderly. Then, with one sudden movement, takes the entire organ into her mouth and deep into her throat all the way to where the penis meets his body. BJA's head begins to bob up and down. The entire length of Sheriff Rammer's shaft goes in-and- out of BJA's mouth.) (Camera cuts to fully frame them both. Sheriff Rammer's head is rolling back in ecstasy. His penis can be seen going in-and-out of BJA's mouth as she sucks hungrily. The sheriff grabs the back of BJA's head.) SHERIFF RAMMER: Oh! Oh! Oh! Blow Job Annie! (The camera begins to fade as the sheriff's body begins to spasm in orgasm.) (Fade to black.) (Fade in on Duchess Diana Delight's motel bedroom. DDD is topless and seated at a dresser. Her face is impassive as she casually brushes her hair and gazes into the dresser mirror. She wears nothing but period style panties. The bedroom window is open. It's curtains move as if stirred by a breeze. The Alien is seen peeking through the window. The Alien raises his wrists and pushes some buttons on his wristband. A glowing ray emanates from the wristband with a laserlike sound effect and lands on DDD's gigantic bosoms. After a moment, The Alien stops pressing his wristband. The ray withdraws back into the wristband with a reversal of the sound effect. DDD's giant areolas now glow like light bulbs. A weird 1950's style electronic radio wave effect can be heard whining as DDD's breasts and areolas glow. DDD seems unaware of what is occurring. DDD's radiating areolas continually dim and brighten. The volume of the waveform effect rises and falls with the pulsating intensity of the glow. The glow and sound effects continue until DDD dons a large period style brassiere and conceals her nipples. Outside the window, The Alien presses his wristband once again and disappears with a period style visual and audio vanishing effect.) (Quick cut to the parking lot of the Triple-D motel. Mayor Twatbuster is exiting a period Cadillac convertible. He wears an expensive period suit. He retrieves some roses and a box of candy from his automobile. The camera follows him as he approaches and knocks on a motel door clearly seen as #18. The shot frames both the mayor and the door. The mayor waits a moment before Enorma opens the door wearing a period style silk robe. Her bosoms are greatly displayed in a large 1950's style bra. Her hair and modest makeup are done in period style. Enorma's eyes light up when she sees Mayor Twatbuster. There is an obvious immediate physical attraction. Enorma speaks sweetly.) ENORMA: May I help you? (Mayor Twatbuster smiles down at the petite redhead and then focuses on her large breasts. He speaks leeringly.) MAYOR TWATBUSTER: I'm sure you can, my dear. I'm sure you can. (He speaks more formally.) MT: If you will allow me to introduce myself, madam. I am Buck Twatbuster, mayor of Big Bore. And, it would be my honor to provide you and your husband with a grand tour of our fair city this afternoon. Is your husband inside...? ENORMA: No. My husband got a message about ten minutes ago that they needed to see him down at Stud's Service. Something about our car. MT: Oh! That's a shame. Indeed, a pity. (He looks unhappy for a moment.) MT: Well, I suppose I could give you the grand tour. And then later on this evening, you could take your husband around and show him all the sights... yes, that might work out. (Enorma looks at the roses and candy.) ENORMA: Are those for me? MT: Indeed they are, madam. Lovely roses for a lovely lady. And sweets for the sweet. (He hands the gifts to Enorma. Enorma gushes. She sniffs the roses.) ENORMA: They're beautiful! I love that smell. Roses are my favorite. (Mayor Twatbuster is pleased with himself.) MT: Ah, every woman has a soft spot for roses. (Enorma smiles up at MT teasingly.) ENORMA: Why don't you give me a second to get dressed and I'll take you up on that grand tour offer. MT: Madam, it will be my pleasure. (Enorma looks seductively into MT's eyes.) ENORMA: I'll only be a second. (She closes the door slowly.) MT: I'll be out here waiting with baited breath... (The door is closed. MT turns towards the camera with sinister smile on his face. He sneers.) MT: Oh, she is going to be a LOT of fun... (Cut to a shot of The Alien spying on the scene from around the corner of the building.) (Shot fades to black.) (Shot fades to exterior of Stud's Service Station. Studs and Heluv are talking in frame in the garage. Heluv looks in a hurry and uncomfortable.) HELUV: No. You didn't waste my time. I'm just wondering why you called me down here for that. STUDS: You know. Sometimes the color of an engine can make all the difference in the world. Myself I like a dark engine. Not too dark. But, definitely not a light colored engine. HELUV: Look, whatever color engine you pick- I'm sure it'll be fine. I trust your judgment. (The shot widens. DDD struts into frame. Her top is period and extremely tight. The plunging neckline reveals her huge wobbling cleavage. Her period style shorts are very short and expose a great deal of her voluptuous buttocks. She wears high heel go-go boots. She speaks cooingly to Studs. Heluv gulps and focuses on DDD's bust.) DDD: Lover, do you think your friend could walk down to the five and dime and help me carry my groceries home? (DDD leans forward and looks at Heluv. She presses her breasts together with the tops of her arms. She looks and coos at Heluv seductively.) DDD: I sure would appreciate it... (Heluv looks as if his eyes will pop out. He never stops ogling DDD's cleavage.) (Quick cut to a tight shot of DDD's bust with soft glow and low volume sound effect coming from her clothed areolas.) (Quick cut to Heluv's ogling eyes. Heluv is entranced as if being hypnotized.) (Quick cut to tight shot of DDD's bust with soft glow and low volume sound effect coming from her clothed areolas.) (Quick cut to Heluv's ogling eyes. Heluv is entranced as if being hypnotized.) (Quick cut to original camera shot framing all three persons in the scene. Heluv begins making inexplicable monkey sounds.) HELUV: Uw-a-a-a... Uw-a-a-a... Uw-a-a-a... (Studs looks at Heluv in amusement.) STUDS: Yeah, baby. Something tells me you won't be able to tear him away. (DDD smiles brazenly at Heluv. She motions with her index finger for him to follow and speaks to him as she steps out of frame.) DDD: Come with me, my horny little monkey... (Heluv follows entranced and walks after her out of frame. He makes monkey sounds as he follows.) HELUV: Uw-a-a-a... Uw-a-a-a... Uw-a-a-a... (Quick cut shot to the interior of Mayor Twatbuster's convertible Cadillac. The camera looks into the car from the driver's side. Mayor Twatbuster drives. Enorma is in the passenger side of his Caddy seated quite close to MT on the bench seat. She is wearing period outfit- an extremely tight white fuzzy sweater with short sleeves and plunging neckline that reveals her awesome wobbling cleavage. Her short dark skirt is belted at the waist. Dark colored high heels are upon her feet. Enorma is also wearing a pearl necklace and pearl earrings. Both occupants of the car are playfully flirtatious.) ENORMA: Oh, this is a such a wonderful day! (Enorma throws her hands in the air and shoves her chest forward. MT swerves the car slightly staring at her display. He is quite pleased.) MT: Would you like to see one of my favorite sites? ENORMA: I want to see whatever you want to show me. MT: Well, in that case... (Shot of the Caddy veering off of the main highway and onto a small road. A glowing light zooms in and out of frame chasing the Caddy.) (Shot of the train trestle. The Caddy pulls into frame and stops. The shot tightens on the interior of MT's Caddy. The view looks in from the windshield from above. Enorma and MT can be easily seen sitting upon the bench seat.) MT: This is the train trestle. All the young people come down here to um... Well, let's say to get... romantic. (Enorma gives a knowing smile.) ENORMA: Is that why you brought me down here? To try and get romantic? (She looks playfully disgusted.) ENORMA: Mayor. I am a married woman. MT: Mmm-hmm. (The mayor appears as if he does not buy it.) MT: How long has it been since your husband has given you what you need? I bet you dream of having a man who really deserves a woman like yourself. A man who knows what to do with all that. (He nods and stares at Enorma's bust. ENORMA: Mayor! I am not that kind of woman! MT: Yes. But, I know you love the effect you have on me. (He pulls his suit jacket to the side and reveals the large erection visible even through his slacks. Enorma's eyes grow wide. She is delighted.) ENORMA: Oh, my goodness! Is that because of me? MT: Every inch of it, madam. (MT begins clutching and stroking his erection through his pants.) MT: I don't think it's fair that you would cause all this and then not do something about it. (Enorma's face grows blank as she stares at the erection.) MT: Would you- at least- like to see it? (Enorma licks her lips and nods. Her voice whispers.) ENORMA: Yes. (Cut to a shot of The Alien spying on the scene from underneath the train trestle.) (Scene switches quickly to a dolly shot of Duchess Diana Delight and Heluv walking down the sidewalk of the Triple-D Motel. DDD struts haughtily as Heluv struggles clumsily to carry a large and cumbersome amount of groceries while trying to ogle DDD. DDD carries nothing. Heluv speaks and pants as if out-of-breath. DDD speaks teasingly.) HELUV: Are w-we a-almost there? DDD: Not much further. Are you getting tired? HELUV: Wh-who me? No! I-I-I could follow you around... I-I mean... I could follow your... C-c-carry your... DDD: I know what you mean... Here it is. (The two arrive at DDD's motel room door and halt. It is marked with MANAGER instead of a room number. Heluv struggles not to drop any groceries.) (Quick cut to a shot of the interior of DDD's room. It is a suite and nicer than the one occupied by the Stitts family. This room is more like a home. The shot frames the front door, a table, and some furnishings. DDD has walked in and Heluv is struggling and follows her inside. He passes DDD and she speaks as she closes the door.) DDD: Just set them there on the table. (Heluv sets some of the groceries on the table. He drops some things. He looks mortified by his clumsiness. He drops to his knees to retrieve the groceries.) HELUV: Oh! Uh! Wh-wh-whoops! S-s-sorry, about that! (DDD watches as if irritated.) DDD: Having a little trouble? HELUV: N-n-no t-t-trouble. (DDD struts around Heluv on the floor. As she rounds him he glances from groceries to her body. DDD: Is something distracting you? (Heluv stops gathering groceries and ogles DDD. She turns her massive breasts towards him and holds them inches from his face.) (Quick cut to a tight shot of DDD's bust with soft glow and low volume sound effect coming from her clothed areolas.) (Quick cut to Heluv's ogling eyes. Heluv is entranced as if being hypnotized.) (Quick cut to a tight shot of DDD's bust with soft glow and low volume sound effect coming from her clothed areolas.) (Quick cut to Heluv's ogling eyes. Heluv is entranced as if being hypnotized.) DDD: Is there something you want to see, my horny little monkey? (Heluv makes wild and excited monkey sounds.) HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! (Fade to black.) (Fade in to a shot of the interior of a motel bathroom. Some of the Stitts' family belongings are in frame. Candy Kane and Hehaz are both full-body framed. Candy Kane wears her usual black low cut tank top and black short-shorts. Hehaz is wearing a spaghetti strap girl's top and short-shorts. His small buttocks hang out. Both Candy Kane and Hehaz have barefeet. Candy Kane is putting two bows in Hehaz' red hair above and behind his temples. Candy Kane is having fun. Hehaz appears distressed.) HEHAZ: But, my parents could come back any minute! CANDY KANE: I doubt that. The way your mom was dressed when she left with the mayor... I got a feeling she won't be back any time soon. And, your Dad is kind of... Well, my mom will take care of him. HEHAZ: You really think Big Gay Dick will like how I look? CANDY KANE: I promise. I've known Dick for a long time... (She picks up some lipstick and turns the tube until the makeup comes out.) CANDY KANE: I know what boys like. I know what guys want. Even gay ones. (She puts a hand on Hehaz' shoulder.) CANDY KANE: Go like this... (Candy Kane purses her lips. Hehaz looks timid.) HEHAZ: Lipstick? CANDY KANE: Of course. You'll like it. HEHAZ: Well... okay... (Hehaz complies and mimics the expression he was just shown. The shot fades with Candy Kane applying lipstick to Hehaz' lips.) (Shot jumps open to DDD's motel room- no fade in. DDD and Heluv are in frame. DDD is wearing only her bra and panties- both period style. Heluv is hunched down like a chimp and clawing at his groin while animatedly ogling DDD and making faces and noises like a monkey. He appears as if hypnotized by her breasts. DDD is bouncing her breasts and teasingly seductive as she speaks. Heluv's head bounces in sync with her breasts.) DDD: Do you want to see them? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Do you want to see the whoppers? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Are you a good little monkey? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Be a good little monkey and jerk-off your little monkey dick. HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! (Heluv frantically undoes his pants, never getting out of his apelike stance. He pulls out his small penis and begins masturbating. HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Aw! Look at the little monkey! Playing with his little monkey dick. HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Does the monkey want to see Momma's big whoppers? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: What a good little monkey! (DDD unhooks her bra and removes it. Her giant breasts flop out. Heluv goes bananas. Howling like a chimp and jerking his tiny organ furiously.) HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a-a! (Above the clamor DDD shakes her huge bust vigorously and laughs.) DDD: What a horny little monkey! HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a-a! (Quick cut shot to naked Enorma. The camera view is from just outside the Caddy's passenger side. MT is also framed and can be seen behind her. Enorma's bare upper body is hanging out of the Caddy, above the closed passenger door. Her hips are pressed up against top of the passenger door. Mayor Twatbuster is naked and banging the ecstatic redhead from behind. He roughly manhandles her giant bosoms. His face is contorted with sinister desire.) (Cut to tight shot of MT's erection going in-and-out of Enorma's pussy.) (Cut back to shot of Enorma hanging out of the Caddy. Both she and MT are in frame.) MT: You like that don't you, slut? You like having that big dick in your tight pussy, don't you? ENORMA: Yes! Oh, Yes! MT: That pussy is fuckin' tight. Your husband must have a tiny dick. ENORMA: Oh, yes! He's tiny. His dick is tiny compared to you! MT: Oh, yeah. I bet you don't ever want his tiny dick inside you again, do you? ENORMA: Oh, no! Never! I only want big dicks. I only want big dicks inside me! MT: Yeah. That's what I thought. You want to have a big loose pussy, don't you slut? ENORMA: Oh, yes! I want my pussy to be big and loose! (Cut to a shot of The Alien hiding underneath the train trestle spying on the scene. He presses a button on his wristband and vanishes with effects.) (Cut to a shot of The Alien materializing with effects in the Stitts' motel bathroom. He looks in on the scene and spies.) (The shot quick cuts to Hehaz and Candy Kane in the Stitts' motel bedroom. Both teens are on their knees. Hehaz is closest to the camera. The camera angle has them both in profile slightly from the rear. Both are nude and wearing heavy makeup in period style with long false eyelashes caked with mascara. Hehaz still wears two bows in his hair. His bare buttocks can be seen easily. He and Candy Kane are jerking off the large erections of two males standing in front of them. The camera pans out to reveal BGD and Donkey naked and hard. Candy Kane and Hehaz wear vapid expressions on their painted faces as they fondle the big male organs.) CANDY KANE: (dreamily) Put it in your mouth, Hehaz. Suck it. (Candy Kane dives onto Donkey's dick with her mouth and begins giving a blow job. Hehaz hesitates for a moment before thrusting BGD's erection in his mouth and sucking it like a fudgesicle.) (The shot cuts to show the faces of BGD and Donkey, breathing hard and looking in the midst of being gratified. The tops of Hehaz and Candy Kane's heads bob up-and-down in frame. The 'dog ear' ponytails of Candy Kane and the bows in Hehaz hair move in time with the bobbing of their heads.) (BGD looks over at Donkey.) BGD: I told you he'd make a good little cocksucker. He has such a pretty mouth. (Shot widens to frame Hehaz and Candy Kane. Their heads are bobbing eagerly on the erections in their mouths. BGD and Donkey are in ecstasy.) (Shot jumps to DDD nude and leading naked Heluv around on a leash. Heluv walks on his feet and hands like a monkey. His behavior is now completely simian. He paws at his tiny erection.) DDD: Who's the horny little monkey? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! DDD: Who's my tit-loving little monkey? HELUV: Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! Uw-a-a-a! (Quick cut shot to Hehaz and Candy Kane naked and on all fours. The camera view is from behind at an angle. Hehaz is still closest to the camera. From behind, his negligible penis and scrotum can be seen. His genitals are tiny. The other two nude males can be seen from the waist down with their erections positioned behind Hehaz and Candy Kane. The shot widens to show all four fully in frame. Donkey takes his hands and grips Candy Kane's ass. He roughly enters her vagina. Donkey begins fucking Candy Kane. BGD caresses Hehaz' ass with his left hand. With his right hand, he is lubing up his huge erection.) BGD: He has such a pretty little booty. He's a cutie with a pretty little booty. You just relax, baby. This is gonna be fun. (Cut to a tight shot of Hehaz' face. Hehaz appears timid but anticipatory. His body is shaking with the desire to be penetrated. BGD can be seen positioned behind his naked body.) (Cut to a wide shot. The Alien can now be seen in frame standing behind the four young people. The Alien holds a laser gun which looks exactly like the toy laser gun Hehaz acquired at the five and dime store. The Alien aims the ray gun at Hehaz. A glowing ray envelopes the naked boy with a whirring sound effect. As the glowing ray envelops the boy, large breasts, wide hips, and giant buttocks rapidly develop on Hehaz. The bosoms hanging from Hehaz' chest are shaped like the ones on his mother Enorma, except that they are as humongous and overdeveloped as Candy Kane's astonishing tits. Hehaz' tiny penis and miniscule scrotum remain negligible between his shapely legs. He is now barely a boy with a voluptuous womanly body. The Alien lowers the ray gun and lifts his wrist. The Alien presses a button on the wristband and vanishes with effects. Donkey continues to fuck Candy Kane. BGD is positioned to enter Hehaz. Suddenly, the other three realize the transformation to Hehaz has occurred.) (Hehaz is squealing with glee.) BIG GAY DICK: Hehaz Stitts! DONKEY: What the hell just happened! CANDY KANE: I don't fuckin' know! BGD: Whatever happened- Hehaz has become quite a he-she! As in he has a great ass and a big set of tits! (Hehaz is thrilled. He wobbles his huge udders hanging underneath him and shakes his giant ass.) HEHAZ: I love them! BGD: So do I! (BGD enters Hehaz asshole with a steady, forceful thrust. He grabs Hehaz' new tits and begins fucking the boy wildly.) (The camera frames all four persons as the 'girls' remain on all fours and their suitors slam them from behind and play with their giant asses and tits.) (Tight shot of dick going in and out of Candy Kane's pussy.) (Tight shot of dick going in and out of Hehaz' asshole. His miniscule male organs are visible.) (Wider shot of both backsides as Hehaz' asshole and Candy Kane's pussy receive large organs.) (Tight shot on Candy Kane's wobbling tits.) (Tight shot on Hehaz wobbling tits.) (Wider shot of both sets of wobbling tits.) (Cut to shot framing all four as fucking continues.) (Fade to black.) (Fade in on night outside at the Triple-D motel.) (Cut to an interior of a motel bedroom. DDD is leading Heluv on a leash. They are both clothed. Heluv constantly glances at her giant chest while walking on his hands and feet like a monkey. His behavior is now permanently simian.) HELUV: Uw-a-a-a... Uw-a-a-a... Uw-a-a-a... DDD: Now, I want my horny little monkey to come over here for Momma. (Camera follows as DDD pulls Heluv by the arm, close to one of the bedroom walls. DDD leans forward and looks through a hole in the bedroom wall.) DDD: Ah, that's it. Beautiful. (DDD lifts Heluv's torso to where he can stand as upright as his now apelike stature will allow. DDD begins to push Heluv's head towards the hole in the bedroom wall.) HELUV: Uw-a-a-a... Uw-a-a-a... Uw-a-a-a... DDD: There you go horny monkey. Look at that beautiful sight. (Camera cuts to a tight shot of Heluv looking through the hole. The camera closes in on the hole and goes to black as if passing through it. The camera opens up on the other side of the wall into the bedroom of room #18. Enorma is naked on a the bed on all fours. The camera shot is from her side. Studs is naked with a huge erection. He is behind Enorma and ramming his big penis into her asshole. Sheriff Rammer is laying beneath Enorma with a huge erection of his own. Enorma is straddling him and his slick penis is boring out her pussy. Mayor Twatbuster is at her face with his immense dick shoved in her mouth. He and the others are riding Enorma's naked body like a see saw. All the while, the three men are groping her humongous flopping breasts. Enorma is lost in sexual bliss.) (Quick cut to tight shot on Heluv's eye at hole.) (Quick cut back to scene.) (Quick cut to tight shot on Heluv's eye and he is squealing in delight.) (Quick cut to tight shot on Enorma's humongous flopping tits.) (Quick cut to tight shot of Heluv grabbing his clothed penis. Squealing.) (Quick cut to tight shot of dick going in-and-out of Enorma's pussy.) (Quick cut to tight shot of Heluv pulling out his tiny penis. Squealing.) (Quick cut to tight shot of dick going in-and-out of Enorma's asshole.) (Quick cut to tight shot of Heluv jer

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Lesbian Sex With Webcam Model Abigail

Dear ISS readers, this is my first sex story and I would like to share my experience; an experience of a 19-year-old introvert girl, attracted only towards girls, interested in their body, struggling to convince them to share intimacy. Any self-respecting, shapely, nymphomaniac lesbian like me would look for an alternate source for carnal pleasures. There was this girl in my junior college who I found to be of my type. When I saw her for the first time in college, I had to rush myself...

Lesbian
2 years ago
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Abigail Slaughter

Abigail Slaughter was a woman of passion. Many of Abigail’s co-workers thought she was temperamental, the more charitable amongst them said, fiery, those that had disliked her from the get go said psychotic. None of these people had ever noticed that Abigail’s signature on any and all documentation carried an apostrophe after her given name and, that she never left a space between that and her family name. Most of Abigail’s friends would not have been surprised at this open secret, because they...

4 years ago
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Abigail and MoiraChapter 5

Moira opened the door and walked over to a table clicking her fingers and calling for her sister. Abigail scowled as she came over. "What d'ya want?" "Ah ya cannae talk tae customers like t'at?" Moira shouted, and Abigail glanced over towards Pauline. "Ah'll have a pot of tea and a slice of cake. Abigail picked up her pad and walked over to the till, ringing through the cost and printing out the receipt. Pauline snapped at her for talking to Moira like she did and Abigail poured hot...

1 year ago
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Abigail and MoiraChapter 7

"Come on," Lisa pleaded and Alistair shook his head. "OK we'll be good to ya, won't we Abigail? Abigail wanna say sorry." The flamboyant teenage girl nodded, and Lisa begged the teenage boy to join them, but he shook his head. "I cannae leave the shop. Not 'til my Dad gets back." "We're wasting our time," Abigail moaned. "And I wanted to help." He winced as Abigail spoke and he wiped his eyes. "I wanna but ah can't." Abigail pursed her lips and rolled her eyes....

1 year ago
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Abigail and MoiraChapter 6

Abigail cried as she fell backwards off of the wall but landed in the soft arms of her ex-boyfriend. He stared up at her and cackled gently. "Caught ya." "What d'ya want?" He put his hands underneath her legs and pulled them over the low wall and then righted her. "Ya bloody frightened me." "To share this," he told her and pulled out a small baker's bag from his pocket. She rolled her eyes, and he put his hand in hers. "And a walk." She sighed, and he sniffed. "Ya promised...

3 years ago
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Abigail and the Pole

=== She had thought that pole dancing was only for strippers, and that as a feminist she should object to it, but her friends kept telling her that it was great for fitness, a genuine skilled artform, and that it made them feel really empowered. Sceptical but interested, Abigail searched online, and found an advertisement for “Pole Dancing for Feminists”, which sounded like the sort of thing she was after. Classes were Wednesdays at 7 pm. She attended her first one, and found herself in a...

1 year ago
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ABIGAILS TWO DAY GIFT

WARNING: This story contains extreme racist scenes and slurs. This story takes place in the south before the civil war and is about a Caucasian girl dominating two Afro-Americans. In this story you may find racist slurs and the N-word used frequently. This is only to make the story more realistic and NOT to alienate or offend people of colorABIGAIL’S TWO DAY GIFTApril 10, 1862, Huntsville, AlabamaIt was a beautiful spring day. The sun was shining in the sky and everywhere on the plantation...

1 year ago
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AbigailChapter 4

If it hadn't been obvious before, it was now; Abigail and Mike were an item. There were a few raised eyebrows, but on the whole, the verdict was 'good for them' and 'Abigail obviously has something going for her'. They spent every moment together that they could; at Uni, or at one or other of their homes, but most of the time they were working or talking, though not entirely without some cuddling and kissing. The key to any successful relationship is communication, but Abigail and Mike...

3 years ago
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Abigail and MoiraChapter 14

Margaret knocked stoutly on the door to the flat and Abigail let her in. "Just checkin' you're all right," Margaret told her, putting a bag down on the floor, as Abigail looked alarmed. Margaret looked the young girl up and down, dressed in just a long T-Shirt and Abigail nodded. "Fine," muttered the teenage girl. "What ya up to?" Abigail held out a book. "Readin'," "Most of them are my old books," Margaret muttered. "This used to be my flat and..." She stopped when she saw...

1 year ago
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Abigail Mac 1700 695000

I've been jerking off all night to Twitter bitches, but I recently came across a porn star on Twitter that I've seen in many videos that made me jizz my fucking pants. If you're not using Twitter to follow porn stars, I don't know what the fuck you're doing. If you didn't know, Twitter lets adult creators post NFSFW content like Reddit. Of course, they do this to gain fans, but you can use this to get more fap sessions out of the day! Why would you just use Twitter to look at dumb-ass trending...

Twitter Porn Accounts
2 years ago
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Abigail part 1

Abigail was gorgeous. Everything I ever looked for in a woman. She was a young college student, around 19-20 years old. She had long tan legs, the absolute perfect figure, long, curly blonde hair and the prettiest baby blue eyes. Only problem Abigail had was that she was married, as was I too. Abigail and John lived next door to us. John was your typical douchebag husband, my wife would notice the different girls he would sneak in and out of their house and Abigail Finally had enough. I...

1 year ago
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Gwen And Thad Visit Aunt Abigail

A social whirl enveloped Gwen after her coming out party. Several times a week she was invited to visit one neighbor or another. She sometimes accompanied her parents, and other times she and her brother went together. Still other times she went alone. Always, though, she returned home with her slit well lubricated and her sexual fires quieted for a few hours. Gwen and Thad were popular socially, for between them they could satisfy the most lascivious and rampant desires of men or women....

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