Unemployed Males Forced to Service Men in Sex Industry
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Unemployed Males Forced To Service Men In Sex Industry Part 3 free porn video
Unemployed Males Forced to Service Men in Sex Industry Part 3
Filed: 5/12/2026 by Pan Lives
Reporter's Note: Those of you who are following the odyssey of Jon
Hermein are warned that this segment of the story is for discerning
readers and reader discretion is advised. For narrative flow and
descriptive ease, this reporter will sometimes refer to herself in the
first person, as the story progresses.
(UP - Goerlitz) "You have been assigned to a marriage brothel in
Miami, Florida, in North America. For the term of your service, you
will be individually married to hundreds of men who will pay to use
you for their own pleasure. There are no limits to the wifely duties
you will perform, except such acts that may transgress corporeal
safety. The brothel you have been assigned to specializes in
transforming men like you to look, sound and behave like compliant,
sexually responsive women.
"That is why you are here.
"This is where you will learn what it means to be such a wife.
"Your training begins right now."
Tatiana Ulyanova is in the mood for confession. "It frees the soul,"
she says with an expansive smile that shows both rows of her big,
beautiful teeth. Sitting between two male workers, she admits that
profit is what tempted her to get into the male-on-male brothel
business. "National politics is one thing, but I am not a politician.
I am merely a businesswoman who saw an opportunity and decided to make
the most of it."
When this reporter last interviewed Ms. Ulyanova, she was anticipating
a niche market of extreme brothels that would cater to an elite
segment of her client base. These extreme brothels were deemed
unlawful and banned in all countries that adhere to the ICER charter
governing enforced homosexuality. "I had some workers who were
prepped for use and several of my best clients pre-paid for the
service. Training was minimal due to the one-sided nature of the
interaction between client and worker in this scenario. It would have
been nice; a nice specialty market for discerning patrons, but..."
Ulyanova does not finish her thought, allowing discretion and
diplomacy to prevail rather than to overtly criticize an industry that
has allowed her to indulge in a life of extreme luxury. "I have made
a lot of money, no question," she says, although she declines to
invoke specific numbers. "The 'extreme' brothels would have added to
my bottom-line nicely, but we still have a very good business plan.
Domestic and foreign markets are strong. Yes, training does take
longer, especially for the North and South American markets. The
Middle-East is so much easier for me - typically, these requests are
for untrained or 'raw' wives. Apparently, they prefer their own
training methodologies. Most of the male wives shipped to those
markets become slaves," she explains. "Once sold, they are beyond our
jurisdiction and quite beyond any legal redemption. That is why only
white-collar prisoners with life sentences are cleared for these
markets."
On the eve of shipping Jon Hermein to Miami, Ulyanova has allowed our
readers an exclusive glimpse of how she guarantees that her goods
satisfy her customer's needs. "We offer not just products, but total
business solutions," Ulyanova says. "Our client in Miami caters to men
who enjoy other men who are 'modified' to mimic female wives.
Jh13472.exp is a good candidate due to his slight build, relatively
short stature and exceedingly submissive psych-profile," she says,
referring to Jon Hermein by his export product code.
Joined by three of Ulyanova's product developers, we take a seat in a
medium-sized amphitheatre, with a classic proscenium stage and several
screens stacked on each of the wings. The product developers are Naia
Estevera, a Spanish developer who helped pioneer many of the psych and
behavioral tests used to profile prospective brothel product.
"Without these tests, we would have a breakdown of the social order
and the new economy would collapse. This way, only the most servile
men are trained for enforced homosexual service. The others are sent
to the heavily guarded mines, the waste-disposal complexes, and the
prisons. As we all know, the most unsuitable (the so-called dominant
males) are hired to help us train the servile ones," she says with a
glimmer of obvious pride.
Eva Kertesz is a tall Hungarian beauty who selects the dominant
trainer males and choreographs many of the highly structured and
scientifically engineered conditioning programs used in the Ulyanova
stables. She is a quiet but commanding presence in the theatre. She
watches all training sessions with the laser-like focus of a
grand-matron running a ballet company. Kertesz's sharp commands in
Hungarian will punctuate the training demonstration we are about to
see.
Alana De'vron is an African-North-American bodybuilder. De'vron is
the brothel administrator, a high-level management position, who
interfaces with the Government. Her job is to make sure that nothing
we are about to witness violates any law.
It takes this reporter a full minute to realize that the leashed woman
who is led to the centre-front of the stage is - or was - Jon Hermein.
A side-screen displays his/her transformation in rapid time-lapse,
as well as his new product name, "Holstein." I ask if her new name,
denoting a type of bovine, was chosen with intent, as she is seemingly
25 pounds above "his" last recorded weight. Ulyanova confirms my
observation. The name and the exact weight were specified by our
buyers in Miami," she says. "There are many Cuban men there who have a
predilection for love handles and most especially, an ass with ample
meat on it."
Before I can ask another question, a coordinated musical and light
flourish draws our eyes to the stage once again. Holding Holstein's
leash is a huge black man of obvious athletic provenance. He is naked
and exhibits a semi-erect proboscis that is clearly visible from the
rafters. Holstein is completely prostrate before this glistening,
oak-like black marvel. Holstein is still, expectant, barely
breathing. A sharp Hungarian command from Eva Kertesz cracks the air
like a starter's pistol. Immediately, the prostrate man-wife begins
lavishing kisses and licks upon the black athlete's feet. This
continues for several minutes and is conducted with disciplined
precision. I notice that her oral ministrations never rise above the
black male's ankles. I lean towards Ulyanova to offer an admiring
comment. "It wasn't always like this," she whispers back to me. "Watch
the screens - she'll be licking his feet for some time."
A few minutes later, the side screens show a more elaborate and slower
time-lapse of Jon Holstein's transformation from a slight man to a
nicely-rounded woman. The scope of the transformation is dizzying. In
seamless transitional segments, I see Jon Hermein going through the
infamous psych tests, administered by Naia Estevera and her efficient
staff. This is followed by scenes of regimented exercises, special
food rations eaten out of dog bowls, sleep deprivation and periods of
solitary confinement. It looks as if the behavioral conditioning is
constant, strict and physically punishing. Hermein is never allowed to
rise above his knees in anyone's presence, woman or man. He greets all
in his presence with ritualized prostration and foot/sandal/ shoe/boot
kissing. As time passes, trans-surgeons, artists all, begin their work
and Hermein the male begins to vanish before my eyes. His hair is
surgically removed and surgically replaced with permanent, very long,
platinum blond extensions. Lips are surgically altered as well. They
appear full to the point of plumpness, making what seems to me to be a
front bumper analog to her newly bolstered hips and gluteus. Ulyanova
sees me steal a glance at her and leans in to whisper, "Heavy duty
pleasuring requires dual shock absorbers." Despite my sympathy for the
new woman's plight, I almost giggle at Ulyanova's obvious sense of
whimsy.
On stage, live, Holstein the woman still orally adores the black man's
feet. By now, I can see the effect her lips and tongue are having on
the man's male senses. His penis has grown and is probing the air as
if in search of a warm hole. Back on the screen, Holstein is put
through a lengthy series of sexual training that includes fellating
groups of males in precise sequence. Another scene shows her tied
securely to a bench, offering her anal and oral cavities to dozens of
males who use her backside to stimulate themselves to the brink of
orgasm and her mouth as the final receptacle for their semen. The
procession is almost dance-like, with male bodies moving from
Holstein's back to front in a smooth, circular flow. I look at Eva
and see that she too is watching this sequence, a thin smile of
satisfaction betraying her role in constructing a masterpiece of
choreography that seems to control and even stylize the often
discordant chaos of the male sexual urge.
There are fleeting scenes of rebellion and revulsion from the
wife-in-training. His/Her first taste of male ejaculate, her first
taste of a male's ass, her first time sodomized, and her first time
penetrated at both ends. Each time, physical punishment, food
rationing and sensory deprivation are used in a coordinated way to
break down her resistance to future supplication. Soon, according to
the show, resistance is virtually absent from her psyche and she
acquiesces to the most testosterone-driven invasions of her person.
Slight, reflexive displays of resistance, such as pulling back
instinctively, or a cast of fear on her face, or tears, are tolerated
and encouraged, it is explained. The reasons for this, I surmise,
given the nature of the sexual dynamics between a dominant male and a
submissive female, are self-evident. Some naturally occurring fear
revulsion is needed to fuel the urgent passions of her future
husbands. After all, they will be paying to pleasure themselves using
the body of a modified man, not a real woman. That is a big part of
their sexual satisfaction. The screens fade after a final scene
showing Holstein enduring a truly epic session sometimes referred to
as "Bukkake." This intense finale shows Holstein waiting patiently,
with little or no emotion showing on her face as one by one, men who
had been masturbating around her approach and ejaculate onto her face
and into her open mouth. There seems to be as many as 75 or 80 men.
Sometimes, she briefly fellates the man of the moment, sometimes not.
The action fades with her covered from her naked navel upwards in
thick rivulets of sticky, glutinous male ejaculate. Her face betrays
the heavy smells and tastes she must be enduring.
My eyes go back to the stage, where the former man, now a fellatrix
and semen-receptacle, rises to her knees and begins fellating her
black leash-holder. What follows is a restrained and almost elegant
pleasuring, in which the newly formed woman bestows sustained but
increasingly intense pleasure upon the black athlete. His appreciative
grunts and groans fill the amphitheatre until, some minutes later, he
casually withdraws his member from her mouth and uses his hand to
spray an eruption of abundant semen on her face. A shout from Eva the
Hungarian immediately causes Holstein to prostrate herself before the
black man's feet, in the exact same position from whence she began.
Through the stark footlights of the stage, we see slight wisps of
steam curling off her face, evidence that the black man's ejaculate,
so expertly coaxed from his testes, was warm to the point of actual
heat.
"Now," says Ulyanova, "let's go out to the docking area. Our little
lady is about to get locked and loaded for shipment."
Cheryl
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Unemployed Males Forced to Service Men in Sex Industry Part 2
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Unemployed Males Forced to Service Men in Sex Industry Part 4
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