The United Kingdom of Zoo A fake BBC documentary series s4e16 Olivia
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We open on a photo of a geek sitting infront of a computer, looking into camera. Then fade through to a stunning bit of fantasy artwork – a large, muscle-bound and windswept hero – with the same face as the geek.
Then fade to another photo, a greasy haired kid trying to look tough. Fading through to a hero with Brad Pitt ‘Fight Club’ type body, and Brad Pitt ‘A River Runs Through It’ type hair blowing in the wind.
A woman’s voice, well spoken, light and friendly, with a slight east-midland’s accent, narrates - “I’ve always been into fantasy art ... The possibilities are limitless ... The men can be as sexy as you want them to be, and the women are always perfect, and the monsters – the beasts – can be as big and scary as you like.”
As she speaks we see more photo-to-hero conversions. This is intercut with footage of a (fully clothed) slim, black haired woman (from the back), working at an elaborate computer art desk – a large graphics tablet set infront of a couple of large monitors. We see her slender brown hands using a stylus on the tablet, drawing/painting a new image. She is in what appears to be an art studio, but is actually the converted double-garage of a family home.
“I’ve had my own studio for almost ten years now ... I do fantasy artwork for books and CD covers ... But I make most of my money by creating these hero images ... People wanting to see themselves as heroes, or wanting to see their partners being oh-so-sexy...”
We finally come to rest on the digital image of beautiful coffee skinned warrior queen, stripped virtually naked, lean yet curvy, her long black hair draped over her shoulders ... She’s standing next to a huge and scary looking ‘devil-dog’ ... There’s no photo next to this one ... Then we fade through to see the artist herself...
Slim, tall, with that long thick black hair, dusky sub-continental looks and narrow features. We can see the warrior princess in her features – although the reality isn’t as perfect as the artwork. There’s a gold ring through her right nostril and her fashion sense suggest a modern attitude combined with a strong pride in her apparent Pakistani heritage – tight blue jeans and a perfectly fitted purple and gold designer jacket. The slightly knowing look in her eye as she talks suggests a certain attitude – she’s sexy and she knows it.
“My name is Aiman Ali. I’m 31, and I’m a fantasy artist from Leicester in the midlands...”
Then we’re watching her working at the computer again, working on the features of a huge snarling beast – part dog, part wolf, part alien. She continues in voice-over...
“I never watched bestiality videos, I just had an imagination. I grew up looking at fantasy art, and drawing my own pictures. And I was drawn, quite literally toward the monsters ... When I think about sex ... Even when I was a student ... I wasn’t attracted to men ... Or women ... Only to these beasts. I’ve slept with men, but I always think of these monsters when I’m with them...”
We see more images of monsters, often posed with the warrior princess ... To anyone else these would look like images of scary monsters with a beautiful woman. To us, knowing the context, we can see the sideways look from animal to human – the way her backside always seems to presented toward him – the fact that her nipples are always erect...
“I have a special fantasy of Great Danes and Mastiffs ... I draw them as Devil-Dogs ... Huge beasts ... Too big to enjoy – you just have to give up and let them do as they please ... Conquer me ... Defeat me ... Defile me ... Put me under their spell and rape me ... Make me do anything ... And I would be under his spell, so I would keep coming back with my mouth open and my tongue hanging out...” She smirks. “I want to take his knot, and I don’t mind if he destroys my pussy and rips me in two in the process ... What a way die!”
We finally get to see what she’s working on in full screen – a 90% completed image of one of her devil-dogs, painted to look almost as big as a horse, standing over and looking down at the helpless dark princess (with Aiman’s face, of course), who is looking back over her shoulder at him with a look of fear on her face ... He isn’t fucking her yet, but he is clearly about to.
“I can never get this image right ... I can’t decide between fear and lust, disgust and desire ... I think I need to live it before I draw it ... I want to know how it feels so I can put that in my picture. The fear and the passion, all the perverted glory of it.”
We cut to Aiman standing in the middle of the studio floor. Ready to begin.
She peels her t-shirt up over her head to reveal her naturally dark and smooth body and we see that her small boobs aren’t held by a bra. She smiles and jokes about her body. “I wish I looked more like the girls in my pictures ... Sorry to disappoint you if you were expecting something more fantastic.” She’s not sorry, she’s most amused.
“I think of going to the gym and toning up, getting fake boobs to make myself look like my fantasy-self ... Can you imagine if these...” She grabs her little boobs. “Looked like those...” She points at a big fantasy version of herself framed on the wall.
She doesn’t wait around for anyone to respond, unbuttoning her jeans and wriggling them down over her narrow hips and thighs. Stepping out of them, with a slight battle to get the narrow legs over her ankles. She’s wearing the tiniest pair of panties – but not for long – they come off without any ceremony. This lady is very comfortable in her own skin, and not at all shy.
Naked, dark skinned with small boobs, pointy little brown nipples, a slim belly, small bum, and near hairless pussy, she’s a very pleasing sight. She’s not the muscular toned warrior princess, but she has the kind of taught, slim body that any 24 year old would be happy with ... Best of all is her smile – white teeth behind thin dark lips. Friendly with just a hint of madness.
She pinches her nipples a little, pulling them then letting them snap back - making sure they are fully erect. Looking into the camera and smiling... “I want to look as turned on as I feel...” She jokes.
She looks around at the door, then back to the camera. “Will we be waiting long?”
A voice can be heard from behind camera. “Long enough for you to get properly warmed-up ... Not that you look like you need it...”
Aiman smiles again, pinching a nipple with each thumb and forefinger – holding them. “I don’t need any more warming up ... I feel like a bomb about to explode...”
At that moment the door to the studio opens, and we get our first sight of this week’s beast (and his owner), outlined in the doorway. It’s a tall thin man, and a big handsome Great Dane ... The man, Bernard, is a smiling, friendly looking permed heavy metal fan. The dog, Dino, with his mouth slightly open and the end of his tongue hanging out, is as huge and intimidating as ever.
Aiman doesn’t appear to be worried though ... She looks turned-on... “He looks like the hound of Satan!” She says, admiring the beast.
After a short pause, she walks over to him – and despite him being almost as big as her, and her being stark naked, she seems without a worry in the world. She drops down into a crouch on the floor infront of him, her knees spreading wide, and bringing both hands up to his big head, stroking his ears (which he seems to like), and saying “Hello sir ... My master...” to him.
She looks up at Bernard and smiles at him too. “He’s a handsome beast ... I’ve always liked him on the show ... I love Great Danes, and he seems to know what he’s doing...” Then looking back to Dino and smiling at him, “Don’t you, sir? Don’t you?”
She keeps looking in the dog’s eyes as she strokes his head and neck. “Do I need to do anything special, or will he just mount me as soon as I’m in position?”
Bernard responds without much thought. “Oh, he’s pretty easy going – if you show him a pussy, he’ll fuck it...” Aiman responds to this with another smile – she clearly can’t wait.
Shifting forward onto her knees, she reaches under Dino, between his front legs, and begins to stroke his chest, then leans forward slipping her hand down to rub his belly.
“You magnificent beast...” She says, slipping into ‘character’... “Does this please you?” She leans back a little so that she can look into his dark eyes. “If I please you, you will let me live, right?”
She feels around his chest, moving lower, her hand rubbing over her belly, then beginning to work his sheath. Rubbing it, carefully taking a hold of it as the huge beast shifts around, curling his back slightly, pushing his cock forward toward her hand – he wants it ... His cock beginning to grow as soon as she begins to fondle it.
There’s a fat red tip showing almost right away. Aiman tries to hide her smile, but it grows as fast as his cock. “Ohhh, you’re getting hard already ... It feels good...”
We get a brief shot of Bernard as he stands back next to our crew and watches Aiman get better acquainted with his huge dog ... He looks to the side and sees some of the art-work on the wall. He looks almost as impressed by this as he does by the naked Pakistani who’s fondling his canine’s cock.
When we cut back to Aiman, she is already on her hands and knees, taking up her position. One of our crew-members is kneeling beside her (his face blurred out), helping her get it right. Guiding her knees apart with a hand on the inner thigh – being very careful not touch anything he shouldn’t ... Stroking her back to encourage her to lower it, pushing her little arse back and upward. Reaching over to stroke her long black hair over her shoulder so that the camera can get a clear shot of her face during the action.
We can see that the woman is no longer showing her earlier relaxed confidence – there’s no fear, but the anticipation has got the better of her, she just wants to get on with it.
Dino is hopping around her, waiting for his chance, surprisingly light on his feet for such a large animal – and the tip of his cock still showing. Clearly ready to get started ... Then, as soon as he sees the opportunity, he dives in – not mounting her, but going for her cunt with his long tongue, from behind.
She gasps as his hot tongue hits the spot. She takes a sharp breath and holds it as he continues to lap at her. His tongue wider than the target as it slops over her pussy, her arse, her inner thighs, her butt-cheeks ... But mainly her pussy ... Digging in hard, forcing its way between her labia – tasting her juices ... Then licking harder, faster ... With genuine lustful hunger.
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We start this week’s show with establishing footage from our drone camera as it flies over a large area of well-appointed parkland – bowling greens, rows of trees in large curves, recently mown lawns, a children’s play park, over a small lake, more trees and then down to the neat semi-detached houses beyond... Dropping all the way down to street level, bringing our host into view – a white speck on the pavement at first, then as we get closer – a nicer, more attractive speck ... Closer...
We fade in on high street – plenty of people around, obviously not during the Coronavirus lockdown. The camera swings around to face a bank, then moves in through the doors – past a member of staff on the front desk who waves at whoever is holding the camera (clearly knowing them) ... The camera moves past a line of customers and up to one of the cash windows ... The clerk behind the window looks up... She’s middle-aged, with a tired, almost ‘loose’ looking face – one of those big mouths...
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We open with an image of the United Kingdom – from high, high up ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us like a perverted version of Supergirl ... She smiles at us, then waves and turns and falls toward the country at super-sonic speed, dropping to sea level over the Severn Estuary, between Wales (with a cartoonish huge flag waving on the coast, and the south-west coast of England, with...
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Footage through a car window, looking out at a twilight sky and a virtually empty motorway ahead ... There’s a car in the distance ahead of us, an occasional car or truck coming the other way, passing us at speed, nothing like you’d expect from a busy rush hour motorway. Then we’re looking down at the driver from a high angle, corner mounted GoPro. The driver, as you’d expect, is the cleavage heavy, filthy looking pornstar-esque Charley Ozvik, the face of the British bestiality business, and...
“The United Kingdom of Zoo” Series 5, Episode 3: Rebecca We open with a shot of the United Kingdom – from space ... Pause for a moment – then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us like a twisted version of the old “Bewitched’ tv titles ... She smiles at us, then waves and turns and falls toward the country at super-sonic speed, dropping from a low-Earth orbit to sea level over the English Channel, off the south coast, in...
Series 5, Episode 7: Asha Goyal We open with our familiar high image of the United Kingdom – from high up in orbit ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our host, Charley, appears infront of us ... She points down toward the UK below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then turns and dives toward the country at super-sonic speed, dropping from a low-Earth...
With series 12 completed, we roll straight through into series 13 - the same hosts, doing the same things all over again ... Aren’t we getting bored of this yet? Well, it appears not ... So... We start this week’s show with establishing shots of quiet suburban streets – semi-detached homes, very middle class and safe... And then, stepping into frame from the side, moving from behind the camera to infront - this week’s host ... Still the nation’s least likely sex symbol – short, fat,...
Series 6, Episode 11 – Janine Saunders (18), from Birmingham We fade in on a nice townhouse in a nice neighbourhood – then we cut to inside the house and see our hostess – Charley – sitting at her desk, a large computer editing suite laid out infront of her (big computer, multiple screens, etc.) She appears to be editing an episode of ‘The United Kingdom of Zoo’ as we watch, although there’s nothing sexual on screen at the moment, just a young couple walking a large Alsatian. Charley turns...
As part of our commitment to social distancing and the safety of our great nation, this season of the “United Kingdom of Zoo” has been filmed almost entirely with remote cameras. We wish to thank the many lovely ladies who have travelled to see us at our Manchester studios, and hope they all enjoyed fulfilling their fantasies as much as we enjoyed watching... We fade in on a dark set. A spotlight illuminates a single bed – steel-frame, mattress, no bedclothes or pillows. We had a scour a...
We open with our beautiful animated shot of the United Kingdom – from space ... Then our cartoon, top heavy tattooed version of Charley appears, floating in the sky with us, winking and smiling - then waving for us to follow her as she turns and falls toward the country at hyper-sonic speed, dropping from a low-Earth orbit toward the northern part of England, all the way down to a large old city of Sheffield right in the middle, in just a few seconds. Our animated Charley leads us all the...
Series 9, Episode 16: Sienna Triosi (24), from Ipswich We open with a shot of a very boring, street two-up two-down terraced houses. Small paved front yards provide off street parking for a couple of small cars each. And then, walking up the street toward us – the chunky figure of our favourite Cockney wideboy, Dennis, and beside him the sleek, narrow figure of his mean looking, hard-loving, but ultimately very well-behaved Doberman, Casanova. We track backwards as he walks – keeping him...
Series 3, Episode 10: Stacy On one side of the street a row of pre-War three-story buildings – shopfront downstairs, residential apartment/flats above. On the other side of the street, modern four/five level office buildings, and an old train station with a sign outside that reads, “Welcome to Enfield Chase”. We’re in North London to meet our next subject, and she’s a subject who’s worth meeting. Back to those shopfronts – one in particular – Hair By Hottinger. A modest hair and beauty...
Series 4, Episode 13: COLETTE We see that familiar opening sequence – various scenes of UK life, taken from the introductions to previous episodes – a field, a beach, a pub, a motorway ... And then we’re looking at something new... This time our drone camera is floating over a road in a nice suburb on a beautiful sunny day. High stone/brick walls separate nice houses from the pavement. Not too many cars driving by. We’re following a middle-aged woman as she jogs ... Well, it’s more of a...
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a build-up inner city street – big shop windows and hundreds of people walking by ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures ... And finally we’re floating over the dull terraced houses and occasional grim tower-block of a northern English city. Over allotments, over a slow-moving river, dropping down toward a...
Series 8, Episode 16: Lily Parkinson (32), from Chester We pan over a couple of large wooden animal shapes – a rhino and a giraffe - open on a large sign that reads “Chester Zoo”, then pan down to the main gates, watching as an excited family enters the facility. A mini-montage shows us some of the animals – large lizards, chimpanzees, elephants, lions, and finally a pair of dingos ... Pausing on the final animals as one suddenly mounts the other and starts fucking her ... We cut to a...
Series 5, Episode 5: Andrea Fereday (29) – Uxbridge We open with our beautiful animation of the United Kingdom – from space... Our cartoonish, top heavy image of Charley appears, floating infront of us, smiling and giggling, then waves for us to follow her ... Turns and dives toward the country at hyper-sonic speed – and we follow - dropping from a low-Earth orbit – heading toward the south, toward London, then veering westward as we hurtle toward the ground ... Reaching ground level in...
We fade in in the middle of a quiet street, in the low-rise central area of a small midlands town, with one and two story buildings around us. To one side, a long flat warehouse/factory type unit, stocking and fitting tyres for local drivers, to the other, the town’s train station. Looking like a traditional old station, but rebuilt fairly recently. There’s a small car park between us and the station, and it’s almost full. We watch as a car drives down the road toward us, then turns into the...
We start this week’s show with an establishing shot of a bright and classy business park – 2 and 3 level buildings with red and white facias, large black windows, small car parks... The car parks are mostly empty as we pan from one building to the next, and we realize that the sun is dropping in the background – it’s an evening shoot, and all of the workers have gone home for the day... We end our pan looking at the one building with cars/vans in the carpark. And then our host steps into...
Series 5, Episode 8: Patricia Grant (41) – Dagenham We open with our familiar high image of the United Kingdom – from high up in orbit ... The whole of the British Isles in one shot. Then our top-heavy cartoon character version of Charley, our host, appears infront of us ... She points down toward the landmass below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then waves and turns and falls toward the country at...
We start this week’s show with an establishing shot of a large, grey, concrete and glass building. Seven storeys high, each as boring and square as the last. If it wasn’t for the row of green trees planted in the wide pavement out front there wouldn’t be any colour here at all. We move toward the building and note that the ground floor windows are mirrored glass – briefly casting a reflection of our camera crew – as we approach a pair of glass double-doors. Stencilled on the glass, a very...
We open with our beautiful animation of the United Kingdom – from space ... Pause for a moment – then fall toward the planet at hyper-sonic speed, dropping from a low-Earth orbit – heading north, toward Scotland ... Reaching ground level in the countryside in seconds. From here we race north, approaching cartoon St Andrew’s flags indicating that we are entering Scotland. High speed overland, fading through to live action as we enter the outer suburbs of a city ... Then through the streets...
Series 5, Episode 6: Maria Sinclair (55) We open with an image of the United Kingdom – from high, high up ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us ... She points down toward the country below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then turns and dives toward the country at super-sonic speed, dropping to sea...
Series 8, Episode 6: Simone Butt (27), from Bristol We open with an establishing shot of an impressive, modern brick and glass façade of a six-story office block on a busy street. Very clean, under a clear blue sky. We can see a figure approaching along the pavement, a slim lady with blonde hair. She’s wearing ripped blue jeans and a tight t-shirt, and her nice round boobs bounce on every step. It’s our Polish princess, Petra – and this week there’s no sign of her lovely Labrador. She...
We start this week’s show with establishing shots of a large allotment on a sunny day – lots of small gardens sectioned off from one another, middle aged men avoiding their families – growing flowers, vegetables, or just hiding in garden sheds – and then we’re looking at a large blue-grey Weimaraner ... Watching for a moment as he sniffs around the corner of a garden shed, then turns, cocks his leg, and pisses on it... And then, stepping out from behind the shed, catching a little of that...
Series 4, Episode 10: IMOGEN We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner-city street – big shop windows and hundreds of people walking by ... Then we’re looking down at a crowded street market – barrows selling everything from fresh fruit and veg, to handmade jewelry and knock-off designer handbags. Then we’re on the windswept sea-front of an old fashioned English resort town - windy, cold and rainy,...
We open with our beautiful animation of the United Kingdom – from space ... Pause for a moment – then fall toward the planet at hyper-sonic speed, dropping from a low-Earth orbit – dropping all the way down to the North Sea, just off the coast ... Reaching sea level in a few seconds. From here we race toward the coast, between two piers, under a couple of bridges, and up a wide and winding river ... Under an old steel bridge, over a new concrete bridge, then deep inland ... At speed ......
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a crowded sandy beach – kids building sandcastles, parents sunbathing ... Then we’re looking at a grim street of residential blocks – skinny kids running around as exhausted looking single mothers carry the shopping home... Now we’re at a railway station, a big, clean and vibrant space. A sign on the wall reads ‘BIRMINGHAM NEW STREET’. It’s a large modern space, with...
Series 4, Episode 9: SHELLEY We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner city street – big shop windows and hundreds of people walking by ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures... Now we’re on the windswept sea-front of an old fashioned English resort town. Out of season and on a windy, cold and rainy day, the place is virtually...
We open this week’s show, as usual, with an establishing shot of the seafront of a small seaside town. Shops and shoppers, deserted ice-cream stands, a beach filled with yellow sand but virtually no holiday makers, and a very choppy bay stretching out in the distance, with land on one side and a pier on the other. We can hear the unmistakable blustering sound of wind blowing in off the sea ... We’re clearly at a seaside resort in the middle of winter. A big caption appears, filling almost...