The United Kingdom of Zoo A fake BBC documentary series s4e16 Olivia
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Series 9, Episode 15: Ellen Rankin (60), from Stirling
We fade in on a business park – a collection of small, modern, one and two story buildings, small well-kept shrubberies and flower-beds around them all, then narrow roads (double yellow lines on both sides to stop blockages) ... It’s a grey day and the roads and buildings look like they’ve been rained on very recently.
We move along the road between two of these units, toward a particularly unimpressive and anonymous looking building – and the woman standing infront of it. She’s young, slim, wearing a figure-hugging full-length dress (so tight that we can tell she’s wearing nothing at all underneath. We can tell how cold it is from the twin-headlight erect nipples that are almost poking through the front. We recognize her as our Yorkshire webcam girl, Kimberly. As soon as we are close-enough she smiles, red lips parting to show white teeth, and begins her introduction with that throaty Yorkshire accent of hers.
“Hello ... Welcome to ‘The United Kingdom of Zoo’ ... This week we’re in Stirling, in Scotland, to meet a very nice lady, with a very nasty fantasy – and maybe, just maybe – we’ll make that nasty fantasy come true...”
Kimberly turns and heads into the building and we follow.
Inside the well-appointed reception area – a couple of couches, a coffee table stacked with magazines, and a large reception desk – and we head right to that reception desk, and behind it, looking up right on cue, a sprightly ‘old’ lady. Short, white-blonde hair surrounds a pleasant face, with laugh-lines and a natural smile that suggest she’s spent most of her life in a good mood. She’s one of those very positive people who finds pleasure in just about anything.
She introduces herself with a strong, but very understandable, Scottish accent. “Hallo ... Myyyy name is Ellen Rankin. I’m 60-year-old, and I’m the...” She affects a deliberately hoity-toity accent for this – “director of first impressions”, then back to her regular accent, “Here at Stirling Tech.” Adding, almost as an aside, “I’m the receptionist!” Before completing her intro, “And I’ve got a dirty ambition to have sex wi’ a big fat dirty pig!”
We cut to a shot of Ellen in the back of our car, with Kimberly alongside her, the two of them half turned toward each other for an interview – or to be more precise, so that Kimberly can listen to Ellen’s story. It’s a little unfair to put them side-by-side like this. The old lady in her blouse and skirt, next to the sexy young webcam model in her figure-hugging dress. One thirty years past a prime that was probably no better than average, the other right in her prime, and looking pretty good for it.
Ellen is chatting away as if she has a time-limit on telling her story, “I’ve always been a wee bit kinky, but I’ve never been inte animals ... Never even thought about it to be honest ... Then a while back, that show ‘Black Mirror’ was on ... The first episode, when the Prime Minister had to fuck the pig ... I found myself uncontrollably turned-on by the idea. A human with a pig. I’d seen stuff online about women with dogs, and never showed any interest ... But this was a pig. A big, pink, fat, ugly pig ... It was disgustin’ ... Just the idea of it!”
She continues, “And I was watching it and hoping they were going to show it – and I knew they wouldn’t, or couldn’t, show it – but I still wanted to see a pig having sex having sex with the man. I don’t know why ... They didn’t show it, of course...”
She smiles at the memory, “Funny thing was, I talked to a friend about it the next day and she thought the Prime Minister was supposed to get up behind the pig and fuck it, but I had been thinking about the pig fucking the Prime Minister ... I just thought that was kinkier ... So I went onto the internet and found some stuff anyway. Women being fucked by pigs. Disgusting, ugly, really humiliating ... But I was just so fucking jealous of them ... I thought to myself – if I ever had the chance to do that ... Yeah ... I really would.” She pauses to take a breath, and Kimberly moves to ask a question - but is cut off as the Scots granny sets off again...
“And then I kept finding more clips online ... I never watched your show when it was women with dogs – but as soon as I heard you had a woman with a pig episode – I was there ... Then for the second pig episode, then the next one ... There’s just something about pigs that gets me all tingly!”
“You really can’t wait, can you?” Asks Kimberly.
Ellen shakes her head. “I applied for the show as soon as Petra’s edition was on, her with that pig, it changed my life ... Once she had done that, I knew how to get a pig in my life – and in my cunt ... All I had to do was apply to the United Kingdom o’ Zoo and wait for the call ... And that’s all I did ... And here I am...” She smiles a broad, little-old-lady smile.
Kimberly checks her phone – looking at the maps app – and notes that, “Well, where we are is still about 40 miles north of the border ... And where we need to be is about 300 miles south of it ... So it’s still a long, long, way to go before you get to live out your dream ... How about we use the magic of television to get there a little bit faster...”
She holds up her hands, and Ellen copies – and they both clap infront of our camera ... And suddenly the two of them are sitting side-by-side in the back of a car, Ellen already stripped near nude (just wearing hold-up stockings on her legs) and pinching her own nipples as she looks out of the window, with Kimberly next to her still in her long dress. It’s dark outside the car and both ladies look like they’ve been sitting for a few hours. As the car turns a corner and the ladies lean over a little, Ellen asks, “Is this it?”
We cut to the entrance to a farm, the gate being held open by a man whose face is blurred out (as is the sign on the gate). Our car turns off the little country road and bounces through the open gate into the farmyard.
In the farmyard, the car pulls to a halt and the rear doors open – Kimberly emerges from one door, straightening out her long, tight dress – looking fabulous. Ellen climbs out of the other side, her stockinged feet sinking quickly into three inches of mud.
“No time to waste ... Your special lover is waiting for you...” Kimberly says.
Ellen smiles and turns away from us – the stockings do a good job of keeping her legs looking trim, but they can’t stop her aging arse from sagging a little. It’s not bad, you understand, it’s not cottage cheese hanging down at the back, but it’s not tight either – a 60-year-old arse is a 60-year-old arse after all...
She steps away through the mud to the heavy shed door and grabs the handle.
Inside, we follow her along the corridor – once again looking at that soft arse, the narrow base of her spine, the slim rise to the shoulders, arms out and hands raised, making sure she keeps them away from all of the much in here.
Then we’re infront of her – letting her walk toward us, looking at the ground, treading carefully to avoid anything hard or pointy.
“It smells pretty rank...” She says, politely but firmly, giving our viewers a sense of the room we’re in. “But then again, I suppose it would, wouldn’t it... ? I mean, pigs are hardly famed for their sense of cleanliness!” And she forces a smile for the camera.
We cut to see her as she approaches the stall at the end of the walkway – coming up on the fence, which looks bigger infront of her that it’s been infront of any of our other guests. She really is a little old lady!
“The smell’s getting stronger – so I must be getting closer...” She says, letting her face brighten a little.
She arrives at the fenced front to the pen and bends forward a little to peer between the cross-bars of the gate – then let’s out a gasp... “He’s massif!” Then turns to the camera with an incredulous open-mouthed grin... “I’m gonnae get crushed!”
We cut to look at Winston – the ‘massif’ pig, as he waddles across the pen toward to gate to see who’s come to see him this week.
Then cut back to Ellen, looking through the fence – open mouthed. A little smile.
Kimberly steps into frame and grabs the gate, pulling it open a couple of feet, waving the old lady through... “Step right up, step right up...” She calls, like a fairground worker.
Ellen slips through the gap and enters the pen, nodding a thank you to our sexy hostess for holding the gate open, then looking back to the pig with a big smile. She says, “How are yoooo?”, as she drops into a half crouch, holding one hand out toward the fat pink animal.
We’re standing far enough back to be able to see them both in the same frame – her short and skinny, him much shorter but still twice her size, as he stumbles toward her – waddling slowly from side-to-side.
Grunting as he gets close to her, his snout raised – snorting, sniffing at the air infront of her – sniffing her hand as he gets comfortable with her. Confirming she’s nothing but fuck-meat for him.
She lets him walk right up to her, letting him rub the side of his fat body up against her legs – making her slips around a little, making sure his trotters don’t get too close to her bare feet.
Kimberly asks, “What you are thinking?” and the question seems to stump the Scottish slut for a second.
Ellen bends forward a little, putting her hands on his stubble covered back, stroking him... “I’m thinkin’ ... Ahhhh ... He’s very big, isn’t he?” She says, apparently amazed. “ ... And very rough ... Not what I was expecting...”
Series 4, Episode 11: MELISSA We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner-city street – big shop windows and hundreds of people walking by ... Then we’re looking down at a crowded street market – barrows selling everything from fresh fruit and veg, to handmade jewelry and knock-off designer handbags. Then we’re on a busy street in an old English city - not a lot of food traffic, but plenty of cars...
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We watch a mini-montage of Ye olde English town, with snow falling slowly, and Christmas shoppers hurrying back to their cars with bags full of gifts – and hear traditional Christmas music and sleighbells... Then fade through to our studio, which has been set up to look like a fairly unconvincing Santa’s Grotto – with a couple of comfortable couches arranged infront of a large (fake) fireplace, and an over decorated Christmas tree, which is stacked with presents. On one couch – two sex...
We open with our beautiful shot of the United Kingdom – from space ... Pause for a moment – then fall toward the planet at hyper-sonic speed, dropping from a low-Earth orbit toward the south of England, toward the massive urban sprawl that is London ... Reaching ground level in just a few seconds. From here we race through animated streets, passing traditional London Black Cabs and red Double Decker buses until we hit a wide street of three-story buildings – shopfronts downstairs, apartments...
We’re looking at the pretty but increasingly fake features of our hostess – Charley Ozvik. Her nose a little too slim and pointy, her jaw too defined, her teeth too perfect. There’s not a line on her face and when she talks her face barely moves. It’s a little like watching a Thunderbird puppet talking. A very sexy Thunderbird puppet! She’s wearing a tight blouse, the top few buttons undone to show off plenty of her fake cleavage and fragments of a huge tattoo that’s across her chest....
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a build up inner city street – big shop windows and hundreds of people walking by ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures ... Then we’re looking down on a busy motorway – cars flying by at 70-80-90mph ... A sign by the road indicates that this is the A127, and that the next turn-off is to...
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“The United Kingdom of Zoo – Series 4, Episode 14: Kimberly” by Luke Ozvik Series 4, Episode 14: KIMBERLY We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking down on a busy motorway – cars flying by at 70-80-90mph ... Now we’re on the windswept sea-front of an old-fashioned English resort town ... Finally, we’re in a quiet, narrow residential street, late at night, outside a traditional English pub. White walls and black...
Series 4, Episode 18: RACHAEL We see that familiar opening sequence – various scenes of UK life, taken from the introductions to previous episodes – a field, a beach, a pub, a motorway ... And then we’re looking at something new... A large sewage treatment plant. A mini montage of big circular pools of household waste, being chewed up and cleaned by large rotating mechanical arms ... It looks like it smells terrible. The occasional member of staff, checking equipment, wearing full overalls...
from Tottenham, London. We fade in on our hostess, Charley. She’s skirting that territory between sexy and strange. With her heavily botoxed face, obviously fake bolt-on boobs, and all those tattoos on her chest, her legs, her arms ... All wrapped up in too-small clothes, showing off as much flesh as possible – mini-skirt, sleeveless low-cut top. She’s strange, but she’s ours... We’re on a wide grey street, black fences on either side, nothing beyond them on one side, a blue storage...
Series 4, Episode 19: Belinda We see that familiar opening sequence – various scenes of UK life, taken from the introductions to previous episodes – a field, a beach, a pub, a motorway ... And then we’re looking at something new... We’re in an unimpressive residential area. Lots of orange/brown two story terraced houses that probably looked very modern and sharp in the early 80s, but now just look boring. An occasional resident walks along the street alone, a couple of cars pass by –...
We start this week’s show with establishing footage from our drone camera as it flies over a large area of well-appointed parkland – bowling greens, rows of trees in large curves, recently mown lawns, a children’s play park, over a small lake, more trees and then down to the neat semi-detached houses beyond... Dropping all the way down to street level, bringing our host into view – a white speck on the pavement at first, then as we get closer – a nicer, more attractive speck ... Closer...
We fade in on high street – plenty of people around, obviously not during the Coronavirus lockdown. The camera swings around to face a bank, then moves in through the doors – past a member of staff on the front desk who waves at whoever is holding the camera (clearly knowing them) ... The camera moves past a line of customers and up to one of the cash windows ... The clerk behind the window looks up... She’s middle-aged, with a tired, almost ‘loose’ looking face – one of those big mouths...
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner-city street – big shop windows and hundreds of people walking by ... Then we’re looking at a crowded sandy beach – kids building sandcastles, parents sunbathing ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures... Now we’re looking at a sandy beach on a perfect summer’s day – small waves rolling...
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We open with an image of the United Kingdom – from high, high up ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us like a perverted version of Supergirl ... She smiles at us, then waves and turns and falls toward the country at super-sonic speed, dropping to sea level over the Severn Estuary, between Wales (with a cartoonish huge flag waving on the coast, and the south-west coast of England, with...
Series 5, Episode 10: Alison Latham (47) – Wolverhampton We open with our familiar high image of the United Kingdom – from high up in orbit ... The whole country in one shot. Then our very cartoonish, top heavy and slutty caricature of Charley appears infront of us ... She points down toward the UK below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” Then she waves for us to follow her, turns and skydives toward the country below at...
Footage through a car window, looking out at a twilight sky and a virtually empty motorway ahead ... There’s a car in the distance ahead of us, an occasional car or truck coming the other way, passing us at speed, nothing like you’d expect from a busy rush hour motorway. Then we’re looking down at the driver from a high angle, corner mounted GoPro. The driver, as you’d expect, is the cleavage heavy, filthy looking pornstar-esque Charley Ozvik, the face of the British bestiality business, and...
“The United Kingdom of Zoo” Series 5, Episode 3: Rebecca We open with a shot of the United Kingdom – from space ... Pause for a moment – then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us like a twisted version of the old “Bewitched’ tv titles ... She smiles at us, then waves and turns and falls toward the country at super-sonic speed, dropping from a low-Earth orbit to sea level over the English Channel, off the south coast, in...
Series 5, Episode 7: Asha Goyal We open with our familiar high image of the United Kingdom – from high up in orbit ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our host, Charley, appears infront of us ... She points down toward the UK below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then turns and dives toward the country at super-sonic speed, dropping from a low-Earth...
With series 12 completed, we roll straight through into series 13 - the same hosts, doing the same things all over again ... Aren’t we getting bored of this yet? Well, it appears not ... So... We start this week’s show with establishing shots of quiet suburban streets – semi-detached homes, very middle class and safe... And then, stepping into frame from the side, moving from behind the camera to infront - this week’s host ... Still the nation’s least likely sex symbol – short, fat,...
Series 6, Episode 11 – Janine Saunders (18), from Birmingham We fade in on a nice townhouse in a nice neighbourhood – then we cut to inside the house and see our hostess – Charley – sitting at her desk, a large computer editing suite laid out infront of her (big computer, multiple screens, etc.) She appears to be editing an episode of ‘The United Kingdom of Zoo’ as we watch, although there’s nothing sexual on screen at the moment, just a young couple walking a large Alsatian. Charley turns...
As part of our commitment to social distancing and the safety of our great nation, this season of the “United Kingdom of Zoo” has been filmed almost entirely with remote cameras. We wish to thank the many lovely ladies who have travelled to see us at our Manchester studios, and hope they all enjoyed fulfilling their fantasies as much as we enjoyed watching... We fade in on a dark set. A spotlight illuminates a single bed – steel-frame, mattress, no bedclothes or pillows. We had a scour a...
We open with our beautiful animated shot of the United Kingdom – from space ... Then our cartoon, top heavy tattooed version of Charley appears, floating in the sky with us, winking and smiling - then waving for us to follow her as she turns and falls toward the country at hyper-sonic speed, dropping from a low-Earth orbit toward the northern part of England, all the way down to a large old city of Sheffield right in the middle, in just a few seconds. Our animated Charley leads us all the...
Series 9, Episode 16: Sienna Triosi (24), from Ipswich We open with a shot of a very boring, street two-up two-down terraced houses. Small paved front yards provide off street parking for a couple of small cars each. And then, walking up the street toward us – the chunky figure of our favourite Cockney wideboy, Dennis, and beside him the sleek, narrow figure of his mean looking, hard-loving, but ultimately very well-behaved Doberman, Casanova. We track backwards as he walks – keeping him...
Series 3, Episode 10: Stacy On one side of the street a row of pre-War three-story buildings – shopfront downstairs, residential apartment/flats above. On the other side of the street, modern four/five level office buildings, and an old train station with a sign outside that reads, “Welcome to Enfield Chase”. We’re in North London to meet our next subject, and she’s a subject who’s worth meeting. Back to those shopfronts – one in particular – Hair By Hottinger. A modest hair and beauty...
Series 4, Episode 13: COLETTE We see that familiar opening sequence – various scenes of UK life, taken from the introductions to previous episodes – a field, a beach, a pub, a motorway ... And then we’re looking at something new... This time our drone camera is floating over a road in a nice suburb on a beautiful sunny day. High stone/brick walls separate nice houses from the pavement. Not too many cars driving by. We’re following a middle-aged woman as she jogs ... Well, it’s more of a...
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a build-up inner city street – big shop windows and hundreds of people walking by ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures ... And finally we’re floating over the dull terraced houses and occasional grim tower-block of a northern English city. Over allotments, over a slow-moving river, dropping down toward a...
Series 8, Episode 16: Lily Parkinson (32), from Chester We pan over a couple of large wooden animal shapes – a rhino and a giraffe - open on a large sign that reads “Chester Zoo”, then pan down to the main gates, watching as an excited family enters the facility. A mini-montage shows us some of the animals – large lizards, chimpanzees, elephants, lions, and finally a pair of dingos ... Pausing on the final animals as one suddenly mounts the other and starts fucking her ... We cut to a...
Series 5, Episode 5: Andrea Fereday (29) – Uxbridge We open with our beautiful animation of the United Kingdom – from space... Our cartoonish, top heavy image of Charley appears, floating infront of us, smiling and giggling, then waves for us to follow her ... Turns and dives toward the country at hyper-sonic speed – and we follow - dropping from a low-Earth orbit – heading toward the south, toward London, then veering westward as we hurtle toward the ground ... Reaching ground level in...
We fade in in the middle of a quiet street, in the low-rise central area of a small midlands town, with one and two story buildings around us. To one side, a long flat warehouse/factory type unit, stocking and fitting tyres for local drivers, to the other, the town’s train station. Looking like a traditional old station, but rebuilt fairly recently. There’s a small car park between us and the station, and it’s almost full. We watch as a car drives down the road toward us, then turns into the...
We start this week’s show with an establishing shot of a bright and classy business park – 2 and 3 level buildings with red and white facias, large black windows, small car parks... The car parks are mostly empty as we pan from one building to the next, and we realize that the sun is dropping in the background – it’s an evening shoot, and all of the workers have gone home for the day... We end our pan looking at the one building with cars/vans in the carpark. And then our host steps into...
Series 5, Episode 8: Patricia Grant (41) – Dagenham We open with our familiar high image of the United Kingdom – from high up in orbit ... The whole of the British Isles in one shot. Then our top-heavy cartoon character version of Charley, our host, appears infront of us ... She points down toward the landmass below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then waves and turns and falls toward the country at...
We start this week’s show with an establishing shot of a large, grey, concrete and glass building. Seven storeys high, each as boring and square as the last. If it wasn’t for the row of green trees planted in the wide pavement out front there wouldn’t be any colour here at all. We move toward the building and note that the ground floor windows are mirrored glass – briefly casting a reflection of our camera crew – as we approach a pair of glass double-doors. Stencilled on the glass, a very...
We open with our beautiful animation of the United Kingdom – from space ... Pause for a moment – then fall toward the planet at hyper-sonic speed, dropping from a low-Earth orbit – heading north, toward Scotland ... Reaching ground level in the countryside in seconds. From here we race north, approaching cartoon St Andrew’s flags indicating that we are entering Scotland. High speed overland, fading through to live action as we enter the outer suburbs of a city ... Then through the streets...
Series 5, Episode 6: Maria Sinclair (55) We open with an image of the United Kingdom – from high, high up ... The whole country in one shot. Then a very cartoonish, top heavy pouting caricature of our beloved Charley appears, floating in the sky with us ... She points down toward the country below and says, “Hey look ... It’s the United Kingdom of Zoo ... Let’s look closer and see what we can see...” She giggles, then turns and dives toward the country at super-sonic speed, dropping to sea...
Series 8, Episode 6: Simone Butt (27), from Bristol We open with an establishing shot of an impressive, modern brick and glass façade of a six-story office block on a busy street. Very clean, under a clear blue sky. We can see a figure approaching along the pavement, a slim lady with blonde hair. She’s wearing ripped blue jeans and a tight t-shirt, and her nice round boobs bounce on every step. It’s our Polish princess, Petra – and this week there’s no sign of her lovely Labrador. She...
We start this week’s show with establishing shots of a large allotment on a sunny day – lots of small gardens sectioned off from one another, middle aged men avoiding their families – growing flowers, vegetables, or just hiding in garden sheds – and then we’re looking at a large blue-grey Weimaraner ... Watching for a moment as he sniffs around the corner of a garden shed, then turns, cocks his leg, and pisses on it... And then, stepping out from behind the shed, catching a little of that...
Series 4, Episode 10: IMOGEN We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner-city street – big shop windows and hundreds of people walking by ... Then we’re looking down at a crowded street market – barrows selling everything from fresh fruit and veg, to handmade jewelry and knock-off designer handbags. Then we’re on the windswept sea-front of an old fashioned English resort town - windy, cold and rainy,...
We open with our beautiful animation of the United Kingdom – from space ... Pause for a moment – then fall toward the planet at hyper-sonic speed, dropping from a low-Earth orbit – dropping all the way down to the North Sea, just off the coast ... Reaching sea level in a few seconds. From here we race toward the coast, between two piers, under a couple of bridges, and up a wide and winding river ... Under an old steel bridge, over a new concrete bridge, then deep inland ... At speed ......
We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a crowded sandy beach – kids building sandcastles, parents sunbathing ... Then we’re looking at a grim street of residential blocks – skinny kids running around as exhausted looking single mothers carry the shopping home... Now we’re at a railway station, a big, clean and vibrant space. A sign on the wall reads ‘BIRMINGHAM NEW STREET’. It’s a large modern space, with...
Series 4, Episode 9: SHELLEY We’re looking at the beautiful English countryside – fields, stone walls, a few cows grazing ... Then we’re looking at a built-up inner city street – big shop windows and hundreds of people walking by ... Then we’re looking at a big boat crossing over a river – tourists leaning over the sides, taking pictures... Now we’re on the windswept sea-front of an old fashioned English resort town. Out of season and on a windy, cold and rainy day, the place is virtually...
We open this week’s show, as usual, with an establishing shot of the seafront of a small seaside town. Shops and shoppers, deserted ice-cream stands, a beach filled with yellow sand but virtually no holiday makers, and a very choppy bay stretching out in the distance, with land on one side and a pier on the other. We can hear the unmistakable blustering sound of wind blowing in off the sea ... We’re clearly at a seaside resort in the middle of winter. A big caption appears, filling almost...